Publications
Book Chapters and Journal Publications
- Anemüller, Carlotta, Adami, Alexander, and Herre, Jürgen
Efficient Binaural Rendering of Spatially Extended Sound Sources
Journal of the Audio Engineering Society, 71: 281–292, 2023. DOI@article{faucris.304158508, abstract = {In virtual/augmented reality or 3D applications with binaural audio, it is often desired to render sound sources with a certain spatial extent in a realistic way. A common approach is to distribute multiple correlated or decorrelated point sources over the desired spatial extent range, possibly derived from the original source signal by applying suitable decorrelation filters. Based on this basic model, a novel method for efficient and realistic binaural rendering of spatially extended sound sources is proposed. Instead of rendering each point source individually, the target auditory cues are synthesized directly from just two decorrelated input signals. This procedure comes with the advantage of low computational complexity and relaxed requirements for decorrelation filters. An objective evaluation shows that the proposed method matches the basic rendering model well in terms of perceptually relevant objective metrics. A subjective listening test shows, furthermore, that the output of the proposed method is perceptually almost identical to the output of the basic rendering model. The technique is part of the Reference Model architecture of the upcoming MPEG-I Immersive Audio standard. - Herre, Jürgen and Disch, Sascha
MPEG-I Immersive Audio - Reference Model For The New Virtual / Augmented Reality Audio Standard
Journal of the Audio Engineering Society, 71: 229–240, 2023. DOI@article{faucris.306581021, author = {Herre, Jürgen and Disch, Sascha}, doi = {10.17743/jaes.2022.0074}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {229 - 240}, peerreviewed = {unknown}, title = {{MPEG}-{I} {Immersive} {Audio} - {Reference} {Model} {For} {The} {New} {Virtual} / {Augmented} {Reality} {Audio} {Standard}}, volume = {71}, year = {2023} } - Herre, Jürgen, Disch, Sascha, and Lerch, Alexander
Quellcodierung in 'Handbuch der Audiotechnik'
In Stefan Weinzierl (ed.): Handbuch der Audiotechnik, Springer Berlin, Heidelberg, 2. Auflage, 2022. DOI@incollection{faucris.308167469, abstract = {Dieses Handbuch gibt einen Überblick über die wesentlichen Bestandteile einer Audioübertragungskette, von der Klangerzeugung bis zum Hörer. Es wendet sich an Tonmeister, Toningenieure und Tontechniker, an Entwickler ebenso wie an Anwender im Bereich der audiovisuellen Medientechnik, des Rundfunks und des Films. Als umfassendes Nachschlagewerk für das Gebiet der Audiotechnik, verfasst von maßgeblichen Wissenschaftlern und Entwicklern aus Forschung und Industrie, sammelt es das konzentrierte Wissen der Experten. Es beinhaltet abgestimmte Beiträge zu den akustischen und systemtheoretischen Grundlagen, zur Psychoakustik und Audiologie, zum räumlichen Hören, zur musikalischen Akustik, Raumakustik, Studioakustik, Mikrofone und Lautsprecher, Aufnahme- und Wiedergabetechnik sowie Beschallungstechnik. Dateiformate für Audio, Audiobearbeitung, Digitale Audiotechnik, Audiosignalverarbeitung, Wandler und Prozessoren, Anschlusstechnik und Interfaces, drahtlose Übertragung, Schirmung und Erdung sowie Messtechnik werden behandelt. Geschrieben ist dieses Handbuch für Anwender in den Bereichen Audiotechnik, Tonstudiotechnik, Medientechnik, Rundfunk und Film; Studierende finden darin das Fachwissen, das sie im Beruf benötigen. - Quackenbush, Schuyler R. and Herre, Jürgen
MPEG Standards for Compressed Representation of Immersive Audio
Proceedings of the IEEE, 109: 1578–1589, 2021. DOI@article{faucris.264069480, abstract = {The term "immersive audio" is frequently used to describe an audio experience that provides the listener the sensation of being fully immersed or "present" in a sound scene. This can be achieved via different presentation modes, such as surround sound (several loudspeakers horizontally arranged around the listener), 3D audio (with loudspeakers at, above, and below listener ear level), and binaural audio to headphones. This article provides an overview of two recent standards that support the bitrate-efficient carriage of high-quality immersive sound. The first is MPEG-H 3D audio, which is a versatile standard that supports multiple immersive sound signal formats (channels, objects, and higher order ambisonics) and is now being adopted in broadcast and streaming applications. The second is MPEG-I immersive audio, an extension of 3D audio, currently under development, which is targeted for virtual and augmented reality applications. This will support rendering of fully user-interactive immersive sound for three degrees of user movement [three degrees of freedom (3DoF)], i.e., yaw, pitch, and roll head movement, and for six degrees of user movement [six degrees of freedom (6DoF)], i.e., 3DoF plus translational x, y, and z user position movements.}, author = {Quackenbush, Schuyler R. and Herre, Jürgen}, doi = {10.1109/JPROC.2021.3075390}, faupublication = {yes}, journal = {Proceedings of the IEEE}, note = {herre{\_}books{\_}journals}, pages = {1578-1589}, peerreviewed = {Yes}, title = {{MPEG} {Standards} for {Compressed} {Representation} of {Immersive} {Audio}}, volume = {109}, year = {2021} } - Torcoli, Matteo, Kastner, Thorsten, and Herre, Jürgen
Objective Measures of Perceptual Audio Quality Reviewed: An Evaluation of Their Application Domain Dependence
IEEE/ACM Transactions on Audio, Speech and Language Processing, 29: 1530–1541, 2021. DOI@article{faucris.258802810, abstract = {Over the past few decades, computational methods have been developed to estimate perceptual audio quality. These methods, also referred to as objective quality measures, are usually developed and intended for a specific application domain. Because of their convenience, they are often used outside their original intended domain, even if it is unclear whether they provide reliable quality estimates in this case. This work studies the correlation of well-known state-of-the-art objective measures with human perceptual scores in two different domains: audio coding and source separation. The following objective measures are considered: fwSNRseg, dLLR, PESQ, PEAQ, POLQA, PEMO-Q, ViSQOLAudio, (SI-)BSSEval, PEASS, LKR-PI, 2f-model, and HAAQI. Additionally, a novel measure (SI-SA2f) is presented, based on the 2f-model and a BSSEval-based signal decomposition. We use perceptual scores from 7 listening tests about audio coding and 7 listening tests about source separation as ground-truth data for the correlation analysis. The results show that one method (2f-model) performs significantly better than the others on both domains and indicate that the dataset for training the method and a robust underlying auditory model are crucial factors towards a universal, domain-independent objective measure.}, author = {Torcoli, Matteo and Kastner, Thorsten and Herre, Jürgen}, doi = {10.1109/TASLP.2021.3069302}, faupublication = {yes}, journal = {IEEE/ACM Transactions on Audio, Speech and Language Processing}, keywords = {Artifacts; audio coding; audio quality; BAQ; domain-independence; generalization; objective audio quality; objective measures; quality assessment; review and evaluation; source separation; state of the art; transferability}, note = {herre{\_}books{\_}journals}, pages = {1530-1541}, peerreviewed = {Yes}, title = {{Objective} {Measures} of {Perceptual} {Audio} {Quality} {Reviewed}: {An} {Evaluation} of {Their} {Application} {Domain} {Dependence}}, volume = {29}, year = {2021} } - Paulus, Jouni, Torcoli, Matted, Uhle, Christian, Herre, Jürgen, Disch, Sascha, and Fuchs, Harald
Source separation for enabling dialogue enhancement in object-based broadcast with MPEG-H
Journal of the Audio Engineering Society, 67: 510–521, 2019. DOI@article{faucris.242571195, abstract = {Dialogue Enhancement (DE) is one of the most promising applications of user interactivity enabled by object-based audio broadcasting. DE allows personalization of the relative level of dialogue for intelligibility or aesthetic reasons. This paper discusses the implementation of DE in object-based audio transport with MPEG-H, with a special focus on source separation methods enabling DE also for legacy content without original objects available. The user-benefit of DE is assessed using the Adjustment/Satisfaction Test methodology. The test results demonstrate the need for an individually adjustable dialogue level because of highly-varying personal preferences. The test also investigates the subjective quality penalty from using source separation for obtaining the objects. The results show that even an imperfect separation result can successfully enable DE leading to increased end-user satisfaction.}, author = {Paulus, Jouni and Torcoli, Matted and Uhle, Christian and Herre, Jürgen and Disch, Sascha and Fuchs, Harald}, doi = {10.17743/jaes.2019.0032}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {510-521}, peerreviewed = {Yes}, title = {{Source} separation for enabling dialogue enhancement in object-based broadcast with {MPEG}-{H}}, volume = {67}, year = {2019} } - Schöffler, Michael, Bartoschek, Sarah, Stöter, Fabian-Robert, Röß, Marlene, Westphal, Susanne, Edler, Bernd, and Herre, Jürgen
webMUSHRA - a Comprehensive Framework for Web-based Listening Tests
Journal of Open Research Software, 6: 8, 2018. DOI@article{faucris.227085502, abstract = {For a long time, many popular listening test methods, such as ITU-R BS.1534 (MUSHRA), could not be carried out as web-based listening tests, since established web standards did not support all required audio processing features. With the standardization of the Web Audio API, the required features became available and, therefore, also the possibility to implement a wide range of established methods as web-based listening tests. In order to simplify the implementation of MUSHRA listening tests, the development of webMUSHRA was started. By utilizing webMUSHRA, experimenters can configure web-based MUSHRA listening tests without the need of web programming expertise. Today, webMUSHRA supports many more listening test methods, such as ITU-R BS.1116 and forced-choice procedures. Moreover, webMUSHRA is highly customizable and has been used in many auditory studies for different purpose}, author = {Schöffler, Michael and Bartoschek, Sarah and Stöter, Fabian-Robert and Röß, Marlene and Westphal, Susanne and Edler, Bernd and Herre, Jürgen}, doi = {10.5334/jors.187}, faupublication = {yes}, journal = {Journal of Open Research Software}, keywords = {web-based, listening tests, auditory experiments, MUSHRA, Web Audio API}, note = {herre{\_}books{\_}journals}, pages = {8}, peerreviewed = {Yes}, title = {{webMUSHRA} - a {Comprehensive} {Framework} for {Web}-based {Listening} {Tests}}, url = {https://openresearchsoftware.metajnl.com/articles/10.5334/jors.187/}, volume = {6}, year = {2018} } - Schöffler, Michael, Silzle, Andreas, and Herre, Jürgen
Evaluation of Spatial/3D Audio: Basic Audio Quality Versus Quality of Experience
IEEE Journal of Selected Topics in Signal Processing, 11: 75–88, 2017. DOI@article{faucris.289414406, abstract = {During the past decades, spatial reproduction of audio signals has evolved from simple two-channel stereo to surround sound (e.g., 5.1 or 7.1) and, more recently, to three-dimensional (3D) sound including height speakers, such as 9.1 or 22.2. With increasing number of speakers, increasing spatial fidelity and listener envelopment are expected. This paper reviews popular methods for subjective assessment of audio. Moreover, it provides an experimental evaluation of the subjective quality provided by these formats, contrasting the well-known basic audio quality (BAQ) type of evaluation with the more recent evaluation of overall listening experience (OLE). Commonalities and differences in findings between both assessment approaches are discussed. The results of the evaluation indicate that 3D audio enhances BAQ as well as OLE over both stereo and surround sound. Furthermore, the BAQ- and OLE-based assessments turned out to deliver consistent and reliable results.}, author = {Schöffler, Michael and Silzle, Andreas and Herre, Jürgen}, doi = {10.1109/JSTSP.2016.2639325}, faupublication = {yes}, journal = {IEEE Journal of Selected Topics in Signal Processing}, keywords = {3D audio; basic audio quality; overall listening experience; Subjective assessment}, note = {herre{\_}books{\_}journals}, pages = {75-88}, peerreviewed = {Yes}, title = {{Evaluation} of {Spatial}/{3D} {Audio}: {Basic} {Audio} {Quality} {Versus} {Quality} of {Experience}}, volume = {11}, year = {2017} } - Adami, Alexander, Taghipour, Armin, and Herre, Jürgen
On similarity and density of applause sounds
Journal of the Audio Engineering Society, 65: 897–913, 2017. DOI@article{faucris.289413899, abstract = {Applause is the result of people showing their appreciation after a performance by clapping their hands. Applause ranges from very sparse sounds with well-distinguishable individual claps for small crowds to extremely dense and almost noise-like sounds for very large crowds. While commonly used perceptual attributes like loudness, pitch, and timbre seem insufficient to characterize different types of applause, "density" was recently introduced and found to be an important perceptual attribute for characterizing applause sounds. This paper provides an in-depth analysis of applause perception regarding density. In particular, in a first experiment perceived applause density was evaluated and its dependency on spectral equalization was assessed. Then, the contribution of perceived density on the perceived similarity of different applause sounds was investigated in a second experiment. Statistical analyses of the experimental data suggest that spectral equalization has no statistically significant effect on density and only a small but significant effect on similarity perception. A linear mixed effects model fitted to the experimental data revealed that perceived density differences as well as spectral equalization significantly predict applause similarity, whereby density differences were found to be the dominating factor. This confirms that perceived density is indeed a key feature for characterization of applause sounds.}, author = {Adami, Alexander and Taghipour, Armin and Herre, Jürgen}, doi = {10.17743/jaes.2017.0034}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {897-913}, peerreviewed = {Yes}, title = {{On} similarity and density of applause sounds}, volume = {65}, year = {2017} } - Schoeffler, Michael and Herre, Jürgen
The relationship between basic audio quality and overall listening experience
Journal of the Acoustical Society of America, 140: 2101–2112, 2016. DOI@article{faucris.289415387, abstract = {Basic audio quality (BAQ) is a well-known perceptual attribute, which is rated in various listening test methods to measure the performance of audio systems. Unfortunately, when it comes to purchasing audio systems, BAQ might not have a significant influence on the customers' buying decisions since other factors, like brand loyalty, might be more important. In contrast to BAQ, overall listening experience (OLE) is an affective attribute which incorporates all aspects that are important to an individual assessor, including his or her preference for music genre and audio quality. In this work, the relationship between BAQ and OLE is investigated in more detail. To this end, an experiment was carried out, in which participants rated the BAQ and the OLE of music excerpts with different timbral and spatial degradations. In a between-group-design procedure, participants were assigned into two groups, in each of which a different set of stimuli was rated. The results indicate that rating of both attributes, BAQ and OLE, leads to similar rankings, even if a different set of stimuli is rated. In contrast to the BAQ ratings, which were more influenced by timbral than spatial degradations, the OLE ratings were almost equally influenced by timbral and spatial degradations.}, author = {Schoeffler, Michael and Herre, Jürgen}, doi = {10.1121/1.4963078}, faupublication = {yes}, journal = {Journal of the Acoustical Society of America}, note = {herre{\_}books{\_}journals}, pages = {2101-2112}, peerreviewed = {Yes}, title = {{The} relationship between basic audio quality and overall listening experience}, volume = {140}, year = {2016} } - Herre, Jürgen, Hilpert, Johannes, Kuntz, Achim, and Plogsties, Jan
MPEG-H Audio - The New Standard for Universal Spatial / 3D Audio Coding
Journal of the Audio Engineering Society: 821–830, 2015. DOI@article{faucris.203833959, abstract = {Recently, a new generation of spatial audio formats were introduced that include elevated loudspeakers and surpass traditional surround sound formats, such as 5.1, in terms of spatial realism. To facilitate high-quality bit-rate-efficient distribution and flexible reproduction of 3D sound, the MPEG standardization group recently started the MPEG-H Audio Coding development for the universal carriage of encoded 3D sound from channel-based, objectbased, and HOA-based input. High quality reproduction is supported for many output formats from 22.2 and beyond down to 5.1, stereo, and binaural reproduction-independently of the original encoding format-thus overcoming incompatibility between various 3D formats. The paper describes the current status of the standardization project and provides an overview of the system architecture, its capabilities, and performanc}, author = {Herre, Jürgen and Hilpert, Johannes and Kuntz, Achim and Plogsties, Jan}, doi = {10.17743/jaes.2014.0049}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {821-830}, peerreviewed = {Yes}, title = {{MPEG}-{H} {Audio} - {The} {New} {Standard} for {Universal} {Spatial} / {3D} {Audio} {Coding}}, url = {http://www.aes.org/e-lib/browse.cfm?elib=17556}, year = {2015} } - Herre, Jürgen, Hilpert, Joe, Kuntz, Achim, and Plogsties, Jan
MPEG-H Audio - The New Standard for Coding of Immersive Spatial Audio
IEEE Journal of Selected Topics in Signal Processing, 9: 770–779, 2015.@article{faucris.306037049, author = {Herre, Jürgen and Hilpert, Joe and Kuntz, Achim and Plogsties, Jan}, faupublication = {yes}, journal = {IEEE Journal of Selected Topics in Signal Processing}, note = {herre{\_}books{\_}journals}, pages = {770-779}, peerreviewed = {unknown}, title = {{MPEG}-{H} {Audio} - {The} {New} {Standard} for {Coding} of {Immersive} {Spatial} {Audio}}, volume = {9}, year = {2015} } - Brandenburg, K., Faller, C., Herre, J., Johnston, J.D., and Kleijn, B.
Perceptual Coding of High-Quality Digital Audio
Procedings of the IEEE, 10: 1905–1919, 2013.@article{herre_pchqda_2013, author = {Brandenburg, K. and Faller, C. and Herre, J. and Johnston, J.D. and Kleijn, B.}, issue = {9}, journal = {Procedings of the IEEE}, month = {sep}, pages = {1905-1919}, title = {Perceptual Coding of High-Quality Digital Audio}, volume = {10}, year = {2013} } - Brandenburg, Karlheinz, Faller, Christof, Herre, Jürgen, Johnston, James D., and Kleijn, W. Bastiaan
Perceptual coding of high-quality digital audio
Proceedings of the IEEE, 101: 1905–1919, 2013. DOI@article{faucris.289417353, abstract = {This paper introduces high-quality audio coding using psychoacoustic models. This technology is now abundant, with gadgets named after a standard (mp3 players) and the ability to play high-quality audio from literally billions of devices. The usual paradigm for these systems is based on filterbanks, followed by quantization and coding, controlled by a model of human hearing. The paper describes the basic technology, theoretical framework to apply to check for optimality, and the most prominent standards built on the basic ideas and newer work. © 1963-2012 IEEE.}, author = {Brandenburg, Karlheinz and Faller, Christof and Herre, Jürgen and Johnston, James D. and Kleijn, W. Bastiaan}, doi = {10.1109/JPROC.2013.2263371}, faupublication = {yes}, journal = {Proceedings of the IEEE}, keywords = {Audio coding}, note = {herre{\_}books{\_}journals}, pages = {1905-1919}, peerreviewed = {Yes}, title = {{Perceptual} coding of high-quality digital audio}, volume = {101}, year = {2013} } - Herre, J., Purnhagen, H., Koppens, J., Hellmuth, O., Engdeg aard, J., Hilpert, J., Villemoes, L., Terentiv, L., Falch, C., Hölzer, A., Valero, M. L., Resch, B., Mundt, H., and Oh, H.
MPEG Spatial Audio Object Coding - The ISO/MPEG Standard for Efficient Coding of Interactive Audio Scenes
Journal of the AES, 60: 655–673, 2013.@article{herre_mpegsaoc_2012, author = {Herre, J. and Purnhagen, H. and Koppens, J. and Hellmuth, O. and Engdeg\aa{}rd, J. and Hilpert, J. and Villemoes, L. and Terentiv, L. and Falch, C. and H{\"o}lzer, A. and Valero, M. L. and Resch, B. and Mundt, H. and Oh, H.}, issue = {9}, journal = {Journal of the AES}, month = {sep}, pages = {655-673}, title = {MPEG Spatial Audio Object Coding - The ISO/MPEG Standard for Efficient Coding of Interactive Audio Scenes}, volume = {60}, year = {2013} } - Herre, Jürgen and Disch, Sascha
Perceptual Audio Coding
In Chellappa, R. and Theodoridis, S. (ed.) (ed.): Signal Processing, Academic Press, Elsevier Ltd., 4: 757–799, 2013.@incollection{faucris.294125979, address = {Oxford, UK}, author = {Herre, Jürgen and Disch, Sascha}, booktitle = {Signal Processing}, editor = {Chellappa, R. and Theodoridis, S. (ed.)}, faupublication = {yes}, isbn = {978-0123965011}, note = {herre{\_}books{\_}journals}, pages = {757 - 799}, peerreviewed = {unknown}, publisher = {Academic Press, Elsevier Ltd.}, title = {{Perceptual} {Audio} {Coding}}, volume = {4}, year = {2013} } - Herre, J. and Disch, S.
Perceptual Audio Coding
In Chellappa, R. and Theodoridis, S. (ed.): Academic press library in Signal processing Volume 4, Academic press: 757–799, 2013.@incollection{herre_pac_sp4_2013, address = {Elsevier Ltd. Oxford}, author = {Herre, J. and Disch, S.}, booktitle = {Academic press library in Signal processing Volume 4}, editor = {Chellappa, R. and Theodoridis, S.}, isbn = {978-0123965011}, pages = {757-799}, publisher = {Academic press}, title = {Perceptual Audio Coding}, year = {2013} } - Herre, Jürgen, Purnhagen, Heiko, Koppens, Jeroen, Hellmuth, Oliver, Engdegård, Jonas, Hilpert, Johannes, Villemoes, Lars, Terentiv, Leon, Falch, Cornelia, Hölzer, Andreas, Valero, Maŕlia Luis, Resch, Barbara, Mundt, Harald, and Oh, Hyen O.
MPEG spatial audio object coding-The ISO/MPEG standard for efficient coding of interactive audio scenes
Journal of the Audio Engineering Society, 60: 655–673, 2012.@article{faucris.289417623, abstract = {In 2007 the ISO/MPEG Audio standardization group started a new work item on efficient coding of sound scenes comprising a multitude of simultaneous audio objects by parametric coding techniques. Finalized in the summer of 2010, the resulting MPEG 'Spatial Audio Object Coding' (SAOC) specification allows the representation of such scenes at bit rates commonly used for coding of mono or stereo sound. At the decoder side, each object can be interactively rendered, supporting applications like user-controlled music remixing and spatial teleconferencing. This paper summarizes the results of the standardization process, provides an overview of MPEG SAOC technology, and illustrates its performance by means of the results of the recent verification tests. The test includes operation modes for several typical application scenarios that take advantage of object-based processing.}, author = {Herre, Jürgen and Purnhagen, Heiko and Koppens, Jeroen and Hellmuth, Oliver and Engdegård, Jonas and Hilpert, Johannes and Villemoes, Lars and Terentiv, Leon and Falch, Cornelia and Hölzer, Andreas and Valero, Maŕlia Luis and Resch, Barbara and Mundt, Harald and Oh, Hyen O.}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {655-673}, peerreviewed = {Yes}, title = {{MPEG} spatial audio object coding-{The} {ISO}/{MPEG} standard for efficient coding of interactive audio scenes}, volume = {60}, year = {2012} } - Herre, Jürgen, Falch, Cornelia, Mahne, Dirk, Del Galdo, Giovanni, Kallinger, Markus, and Thiergart, Oliver
Interactive teleconferencing combining Spatial Audio Object Coding and DirAC technology
Journal of the Audio Engineering Society, 59: 924–935, 2011.@article{faucris.289418116, abstract = {The importance of telecommunication continues to grow in our daily lives. An ambitious goal for developers is to provide the most natural means of audio communication by giving users the perception of being located next to each other. MPEG Spatial Audio Object Coding (SAOC) is a technology for coding, transmitting, and interactively reproducing spatial sound scenes on any conventional multi-loudspeaker setup (e.g., ITU 5.1). This paper describes how Directional Audio Coding (DirAC) can be used as a recording front end for SAOC-based teleconferencing systems, capturing acoustic scenes and extracting the individual objects (talkers). By introducing a novel DirAC to SAOC parameter transcoder, a highly efficient way of combining both technologies is presented which enables interactive, object-based spatial teleconferencing.}, author = {Herre, Jürgen and Falch, Cornelia and Mahne, Dirk and Del Galdo, Giovanni and Kallinger, Markus and Thiergart, Oliver}, faupublication = {yes}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {924-935}, peerreviewed = {Yes}, title = {{Interactive} teleconferencing combining {Spatial} {Audio} {Object} {Coding} and {DirAC} technology}, volume = {59}, year = {2011} } - Herre, Jürgen, Falch, Cornelia, Mahne, Dirk, Del Galdo, Giovanni, Kallinger, Markus, and Thiergart, Oliver
Interactive Teleconferencing Combining Spacial Audio Object Coding and DirAC Technology
In Journal of the AES: 924–935, 2011.@inproceedings{faucris.114340644, author = {Herre, Jürgen and Falch, Cornelia and Mahne, Dirk and Del Galdo, Giovanni and Kallinger, Markus and Thiergart, Oliver}, booktitle = {Journal of the AES}, edition = {12}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {924-935}, title = {{Interactive} {Teleconferencing} {Combining} {Spacial} {Audio} {Object} {Coding} and {DirAC} {Technology}}, url = {http://www.aes.org/journal/online/JAES{\_}V59/12/}, venue = {London}, volume = {59}, year = {2011} } - Herre, J., Falch, C., Mahne, D., Del Galdo, G., Kallinger, M., and Thiergart, O.
Interactive Teleconferencing Combining Spatial Audio Object Coding and DirAC Technology
Journal of the AES, 59: 924–935, 2011.@article{herre_itcsaocdt_2011, author = {Herre, J. and Falch, C. and Mahne, D. and {Del Galdo}, G. and Kallinger, M. and Thiergart, O.}, issue = {12}, journal = {Journal of the AES}, month = {dec}, pages = {924-935}, title = {Interactive Teleconferencing Combining Spatial Audio Object Coding and DirAC Technology}, volume = {59}, year = {2011} } - Herre, J.
Audio and Multimedia
In Heuberger, A. and Elst, G. and Hanke, R. (ed.): Microelectronic Systems, Springer: 297–300, 2010.@incollection{herre_am_ms_2010, author = {Herre, J.}, booktitle = {Microelectronic Systems}, editor = {Heuberger, A. and Elst, G. and Hanke, R.}, isbn = {978-3-642-23070-7}, pages = {297-300}, publisher = {Springer}, title = {Audio and Multimedia}, year = {2010} } - Herre, Jürgen, Falch, Cornelia, Mahne, Dirk, Del Galdo, Giovanni, Kallinger, Markus, and Thiergart, Oliver
Interactive Teleconferencing Combining Spatial Audio Object Coding and DirAC Technology
In 128nd AES Convention: 1579–1590, 2010.@inproceedings{faucris.108839544, abstract = {The importance of telecommunication continues to grow in our everyday lives. An ambitious goal for developers is to provide a most natural way of audio communication by giving users the impression of being located next to each other. MPEG Spatial Audio Object Coding (SAOC) is a technology for coding, transmitting, and interactively reproducing spatial sound scenes on any conventional multi-loudspeaker setup (e.g. ITU 5.1). This paper describes how Directional Audio Coding (DirAC) can be used as a recording front-end for SAOC based teleconference systems to capture acoustic scenes and to extract the individual objects (talkers). By introducing a novel DirAC to SAOC parameter transcoder, a highly efficient way of combining both technologies is presented which enables interactive, object-based spatial teleconferencing.}, address = {London}, author = {Herre, Jürgen and Falch, Cornelia and Mahne, Dirk and Del Galdo, Giovanni and Kallinger, Markus and Thiergart, Oliver}, booktitle = {128nd AES Convention}, faupublication = {yes}, isbn = {9781617387739}, note = {herre{\_}books{\_}journals}, pages = {1579-1590}, publisher = {128nd AES Convention}, title = {{Interactive} {Teleconferencing} {Combining} {Spatial} {Audio} {Object} {Coding} and {DirAC} {Technology}}, volume = {3}, year = {2010} } - Herre, Jürgen and Dietz, Markus
Standards in a Nutshell: MPEG-4 High-Efficiency AAC Coding
In: Standards in a Nutshell: MPEG-4 High-Efficiency AAC Coding, IEEE Signal Processing Magazine, 25: 137–142, 2008.@incollection{faucris.116316464, address = {USA}, author = {Herre, Jürgen and Dietz, Markus}, booktitle = {Standards in a Nutshell: MPEG-4 High-Efficiency AAC Coding}, edition = {3}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {137-142}, peerreviewed = {unknown}, publisher = {IEEE Signal Processing Magazine}, title = {{Standards} in a {Nutshell}: {MPEG}-4 {High}-{Efficiency} {AAC} {Coding}}, volume = {25}, year = {2008} } - Herre, J., Kjörling, K., Breebaart, J., Faller, C., Disch, S., Purnhagen, H., Koppens, J., Hilpert, J., Röd 'en, J., Oomen, W., Linzmeier, K., and Chong, K. S.
MPEG Surround - The ISO/MPEG Standard for Efficient and Compatible Multichannel Audio Coding
Journal of the AES, 56: 932–955, 2008.@article{herre_mpegsurround_ecmac_2008, author = {Herre, J. and Kj{\"o}rling, K. and Breebaart, J. and Faller, C. and Disch, S. and Purnhagen, H. and Koppens, J. and Hilpert, J. and R{\"o}d\'{e}n, J. and Oomen, W. and Linzmeier, K. and Chong, K. S.}, issue = {11}, journal = {Journal of the AES}, month = {nov}, pages = {932-955}, title = {MPEG Surround - The ISO/MPEG Standard for Efficient and Compatible Multichannel Audio Coding}, volume = {56}, year = {2008} } - Herre, J. and Dietz, M.
Standards in a Nutshell: MPEG-4 High-Efficiency AAC Coding
IEEE Signal Processing Magazine, 25: 137–142, 2008.@article{herre_snheaac_2008, author = {Herre, J. and Dietz, M.}, issue = {3}, journal = {IEEE Signal Processing Magazine}, month = {may}, pages = {137-142}, title = {Standards in a Nutshell: MPEG-4 High-Efficiency AAC Coding}, volume = {25}, year = {2008} } - Herre, J. and Lutzky, M.
Perceptual Audio Coding of Speech Signals
In Benesty, J. and Sondhi, M. M. and Huang, Y. (ed.): Springer Handbook of Speech Processing, Springer: 393–410, 2007.@incollection{herre_pacss_2007, author = {Herre, J. and Lutzky, M.}, booktitle = {Springer Handbook of Speech Processing}, editor = {Benesty, J. and Sondhi, M. M. and Huang, Y.}, isbn = {978-3-540-49125-5}, pages = {393-410}, publisher = {Springer}, title = {Perceptual Audio Coding of Speech Signals}, year = {2007} } - Herre, Jürgen, Kjörling, Kristofer, Breebaart, Jeroen, Faller, Christof, Disch, Sascha, Purnhagen, Heiko, Koppens, Jeroen, Hilpert, Johannes, Röden, Jonas, Oomen, Werner, Linzmeier, Karsten, and Kok Seng, Chong
MPEG Surround - The ISO/MPEG Standard for Efficient and Compatible Multichannel Audio Coding
In: 122nd AES Convention, AES: -, 2007.@incollection{faucris.111376364, address = {Vienna}, author = {Herre, Jürgen and Kjörling, Kristofer and Breebaart, Jeroen and Faller, Christof and Disch, Sascha and Purnhagen, Heiko and Koppens, Jeroen and Hilpert, Johannes and Röden, Jonas and Oomen, Werner and Linzmeier, Karsten and Kok Seng, Chong}, booktitle = {122nd AES Convention}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{MPEG} {Surround} - {The} {ISO}/{MPEG} {Standard} for {Efficient} and {Compatible} {Multichannel} {Audio} {Coding}}, url = {http://www.aes.org/e-lib/browse.cfm?elib=14643}, year = {2007} } - Geiger, R., Yu, R., Herre, J., Rahardja, S., Kim, S., Lin, X., and Schmidt, M.
ISO/IEC MPEG-4 High-Definition Scalable Advanced Audio Coding
Journal of the AES, 55: 27–43, 2007.@article{herre_saac_2007, author = {Geiger, R. and Yu, R. and Herre, J. and Rahardja, S. and Kim, S. and Lin, X. and Schmidt, M.}, issue = {1/2}, journal = {Journal of the AES}, month = {feb}, pages = {27-43}, title = {ISO/IEC MPEG-4 High-Definition Scalable Advanced Audio Coding}, volume = {55}, year = {2007} } - Geiger, Ralf, Yu, R, Herre, Jürgen, Rahardji, S, Kim, Sang-wook, Lin, Xiao, and Schmidt, Markus
ISO/IEC MPEG-4 High-Definition Scalable Advanced Audio Coding
In Journal of the AES: 27–43, 2007.@inproceedings{faucris.108223764, abstract = {Recently, the MPEG Audio standardization group has successfully concluded the standardization process on technology for lossless coding of audio signals. This paper provides a summary of the Scalable Lossless Coding (SLS) technology as one of the results of this standardization work. MPEG-4 Scalable Lossless Coding provides a fine-grain scalable lossless extension of the well-known MPEG-4 AAC perceptual audio coder up to fully lossless reconstruction at word lengths and sampling rates typically used for high-resolution audio. The underlying innovative technology is described in detail and its performance is characterized for lossless and near-lossless representation, both in conjunction with an AAC coder and as a stand-alone compression engine. A number of application scenarios for the new technology are discussed finally.}, address = {Paris}, author = {Geiger, Ralf and Yu, R and Herre, Jürgen and Rahardji, S and Kim, Sang-wook and Lin, Xiao and Schmidt, Markus}, booktitle = {Journal of the AES}, faupublication = {no}, isbn = {9781604235975}, note = {herre{\_}books{\_}journals}, pages = {27-43}, peerreviewed = {unknown}, publisher = {AES}, title = {{ISO}/{IEC} {MPEG}-4 {High}-{Definition} {Scalable} {Advanced} {Audio} {Coding}}, volume = {55, No. 1/2}, year = {2007} } - Herre, J., Korte, O., and Nordmann, J.
MPEG Surround - Universeller Surround-Klang für den digitalen Rundfunk
Elektronik, 3, 2006.@article{herre_uskdr_2006, author = {Herre, J. and Korte, O. and Nordmann, J.}, journal = {Elektronik}, title = {MPEG Surround - Universeller Surround-Klang f{\"u}r den digitalen Rundfunk}, volume = {3}, year = {2006} } - Geiger, Ralf, Schmidt, Markus, Herre, Jürgen, and Yu, Rongshan
MPEG-4 SLS - Lossless and Near-Lossless Audio Coding Based on MPEG-4 AAC
In Second International Symposium on Communications, Control and Signal Processing: -, 2006.@inproceedings{faucris.106487524, address = {Marocco}, author = {Geiger, Ralf and Schmidt, Markus and Herre, Jürgen and Yu, Rongshan}, booktitle = {Second International Symposium on Communications, Control and Signal Processing}, date = {2006-03-13/2006-03-15}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{MPEG}-4 {SLS} - {Lossless} and {Near}-{Lossless} {Audio} {Coding} {Based} on {MPEG}-4 {AAC}}, venue = {Marrakech, Marocco}, year = {2006} } - Quackenbush, S. and Herre, J.
MPEG Surround
IEEE Multimedia Magazine, 12, 2005.@article{herre_mpegsurround_2005, author = {Quackenbush, S. and Herre, J.}, issue = {4}, journal = {IEEE Multimedia Magazine}, month = {oct}, title = {MPEG Surround}, volume = {12}, year = {2005} } - Herre, Jürgen and et al.
MPEG Surround
In: IEEE Multimedia Magazine, Institute of Electrical and Electronics Engineers (IEEE), 12: 18–23, 2005. DOI@incollection{faucris.108831624, abstract = {MPEG's most recent effort to progress the state of the art is the MPEG Surround work item. It provides an efficient method for coding multichannel sound via the transmission of a compressed stereophonic (or even monophonic) audio program plus a low-rate side-information channel. Benefits of this approach include backward compatibility with pervasive stereo playback systems while permitting next-generation players to reconstruct high-quality multichannel sound. © 2005 IEEE.}, address = {Washington}, author = {Herre, Jürgen and et al.}, author_hint = {Quackenbush S., Herre Jürgen}, booktitle = {IEEE Multimedia Magazine}, doi = {10.1109/MMUL.2005.76}, edition = {4}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {18-23}, peerreviewed = {unknown}, publisher = {Institute of Electrical and Electronics Engineers (IEEE)}, support_note = {Author relations incomplete. You may find additional data in field 'author{\_}hint'}, title = {{MPEG} {Surround}}, volume = {12}, year = {2005} } - Herre, Jürgen
MPEG-7 - Standardized Tools for music information retrieval
In 150th Meeting of the Acoustical Society of America: -, 2005.@inproceedings{faucris.112437864, address = {Minneapolis}, author = {Herre, Jürgen}, booktitle = {150th Meeting of the Acoustical Society of America}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{MPEG}-7 - {Standardized} {Tools} for music information retrieval}, venue = {Minneapolis, USA}, year = {2005} } - Disch, Sascha and Herre, Jürgen
'Spatial Audio Coding' - Status and Recent Advances in Parametric Multi-channel Audio Coding
In: 'Spatial Audio Coding' - Status and Recent Advances in Parametric Multi-channel Audio Coding, DAGA: -, 2005.@incollection{faucris.111356124, address = {Munich}, author = {Disch, Sascha and Herre, Jürgen}, booktitle = {'Spatial Audio Coding' - Status and Recent Advances in Parametric Multi-channel Audio Coding}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {DAGA}, title = {'{Spatial} {Audio} {Coding}' - {Status} and {Recent} {Advances} in {Parametric} {Multi}-channel {Audio} {Coding}}, year = {2005} } - Herre, Jürgen
From Traditional Joint Stereo to Spatial Audio Coding - Recent Progress in Source Coding of Multi-Channel Audio
herre _books _journals, 2005.@misc{faucris.113978964, author = {Herre, Jürgen}, faupublication = {no}, note = {herre{\_}books{\_}journals}, title = {{From} {Traditional} {Joint} {Stereo} to {Spatial} {Audio} {Coding} - {Recent} {Progress} in {Source} {Coding} of {Multi}-{Channel} {Audio}}, year = {2005} } - Herre, Jürgen
Von der traditionellen Stereocodierung zum Spatial Audio Coding
In: Vortrag im Rahmen des Elektrotechnischen Kolloquiums des IEEI, Universität Erlangen-Nürnberg: -, 2004.@incollection{faucris.113620144, address = {Erlangen}, author = {Herre, Jürgen}, booktitle = {Vortrag im Rahmen des Elektrotechnischen Kolloquiums des IEEI}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Universität Erlangen-Nürnberg}, title = {{Von} der traditionellen {Stereocodierung} zum {Spatial} {Audio} {Coding}}, year = {2004} } - Herre, Jürgen
From Joint Stereo to Spatial Audio Coding - Recent Progress and Standardization
In Sixth International Conference on Digital Audio Effects (DAFX04): -, 2004.@inproceedings{faucris.112664024, address = {Italy}, author = {Herre, Jürgen}, booktitle = {Sixth International Conference on Digital Audio Effects (DAFX04)}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Sixth International}, title = {{From} {Joint} {Stereo} to {Spatial} {Audio} {Coding} - {Recent} {Progress} and {Standardization}}, year = {2004} } - Herre, J. and Cremer, M.
AudioID: MPEG-7 Audio Fingerprinting
In Raieli, R. and Innocenti, P. (ed.): MultiMedia Information Retrieval, AIDA: 211–231, 2004.@incollection{herre_audioid_2007, author = {Herre, J. and Cremer, M.}, booktitle = {MultiMedia Information Retrieval}, editor = {Raieli, R. and Innocenti, P.}, isbn = {88-901144-9-5}, pages = {211-231}, publisher = {AIDA}, title = {AudioID: MPEG-7 Audio Fingerprinting}, year = {2004} } - Herre, Jürgen
Content Based Identification (Fingerprinting)
In Becker E, Buhse W, Günnewig D, Rump N (ed.): Digital Rights Management - Technological, Economic, Springerverlag: 93–100, 2003.@incollection{faucris.112123924, address = {USA}, author = {Herre, Jürgen}, booktitle = {Digital Rights Management - Technological, Economic}, editor = {Becker E, Buhse W, Günnewig D, Rump N}, faupublication = {yes}, isbn = {3540404651}, note = {herre{\_}books{\_}journals}, pages = {93-100}, peerreviewed = {unknown}, publisher = {Springerverlag}, title = {{Content} {Based} {Identification} ({Fingerprinting})}, year = {2003} } - Herre, J.
Content Based Identification (Fingerprinting)
In Becker, E. and Buhse, W. and Günnewig, D. and Rump, N. (ed.): Digital Rights Management - Technological, Economic, Legal and Political Aspects, Springer: 93–100, 2003.@incollection{herre_sem_2003, author = {Herre, J.}, booktitle = {Digital Rights Management - Technological, Economic, Legal and Political Aspects}, editor = {Becker, E. and Buhse, W. and G{\"u}nnewig, D. and Rump, N.}, isbn = {3540404651}, pages = {93-100}, publisher = {Springer}, title = {Content Based Identification (Fingerprinting)}, year = {2003} } - Neugebauer, C., Herre, J., and Brandenburg, K.
Sicherheitstechnologien für den elektronischen Musikvertrieb
In Moser, R. and Scheuermann, A. (ed.): Handbuch der Musikwirtschaft, Josef Keller Verlag: 144–154, 2003.@incollection{herre_cbif_2003, author = {Neugebauer, C. and Herre, J. and Brandenburg, K.}, booktitle = {Handbuch der Musikwirtschaft}, editor = {Moser, R. and Scheuermann, A.}, isbn = {3 7808 0188 4}, pages = {144-154}, publisher = {Josef Keller Verlag}, title = {Sicherheitstechnologien f{\"u}r den elektronischen Musikvertrieb}, year = {2003} } - Herre, Jürgen
MPEG-7 Audio: Tools for Semantic Audio Description and Processing
In Sixth International Conference on Digital Audio Effects (DAFX03): -, 2003.@inproceedings{faucris.110629244, address = {London}, author = {Herre, Jürgen}, booktitle = {Sixth International Conference on Digital Audio Effects (DAFX03)}, faupublication = {no}, keywords = {Keynote Speech}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, title = {{MPEG}-7 {Audio}: {Tools} for {Semantic} {Audio} {Description} and {Processing}}, venue = {London}, year = {2003} } - Herre, Jürgen and Hellmuth, Oliver
AudioID: MPEG-7 Audio Fingerprinting und Anwendungen
In Deutscher Expertenworkshop zum Metadatenstandard MPEG-7: -, 2003.@inproceedings{faucris.115635344, address = {Bonn}, author = {Herre, Jürgen and Hellmuth, Oliver}, booktitle = {Deutscher Expertenworkshop zum Metadatenstandard MPEG-7}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Schloss Birlinghofen}, title = {{AudioID}: {MPEG}-7 {Audio} {Fingerprinting} und {Anwendungen}}, venue = {Bonn}, year = {2003} } - Herre, Jürgen, Hellmuth, Oliver, and Cremer, M
Scalable Audio Fingerprinting Technology based on MPEG-7 Audio
In: Journal of the AES, AES: -, 2002.@incollection{faucris.112641364, address = {USA}, author = {Herre, Jürgen and Hellmuth, Oliver and Cremer, M}, booktitle = {Journal of the AES}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{Scalable} {Audio} {Fingerprinting} {Technology} based on {MPEG}-7 {Audio}}, year = {2002} } - Herre, Jürgen
MPEG-7 Audio - Looking into the audio content
In AES Metadata Symposium at the 112th AES Convention: -, 2002.@inproceedings{faucris.113331504, address = {Munich}, author = {Herre, Jürgen}, booktitle = {AES Metadata Symposium at the 112th AES Convention}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{MPEG}-7 {Audio} - {Looking} into the audio content}, venue = {Munich}, year = {2002} } - Grill, Bernhard, Herre, Jürgen, and et al.
MPEG-4 Advanced Audio Coding
In: International Broadcasting Convention (IBC2002), IBC2002: -, 2002.@incollection{faucris.108823264, address = {Amsterdam}, author = {Grill, Bernhard and Herre, Jürgen and et al.}, author_hint = {Grill Bernhard, Herre Jürgen, Popp H}, booktitle = {International Broadcasting Convention (IBC2002)}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IBC2002}, support_note = {Author relations incomplete. You may find additional data in field 'author{\_}hint'}, title = {{MPEG}-4 {Advanced} {Audio} {Coding}}, year = {2002} } - Herre, Jürgen
AudioCoding - An All-Round Entertainment Technology
In: Keynote at the the 22nd International AES Conference on Virtual, Synthetic and Entertainment Audio, AES: -, 2002.@incollection{faucris.114614764, address = {Espoo, Finland}, author = {Herre, Jürgen}, booktitle = {Keynote at the the 22nd International AES Conference on Virtual, Synthetic and Entertainment Audio}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{AudioCoding} - {An} {All}-{Round} {Entertainment} {Technology}}, year = {2002} } - Herre, Jürgen
MPEG-7 Audio - Looking into the content
In 3rd MPEG-7 Awareness Event, 2002.@inproceedings{faucris.305577407, author = {Herre, Jürgen}, booktitle = {3rd MPEG-7 Awareness Event}, faupublication = {no}, note = {herre{\_}books{\_}journals}, peerreviewed = {unknown}, title = {{MPEG}-7 {Audio} - {Looking} into the content}, venue = {Fairfax, Vancouver}, year = {2002} } - Herre, Jürgen
Metadata: Managing Multimedia Content Efficiently
In IEEE International Symposium on Consumer Electronics 2002 (ISCE02): -, 2002.@inproceedings{faucris.115726864, address = {Erfurt}, author = {Herre, Jürgen}, booktitle = {IEEE International Symposium on Consumer Electronics 2002 (ISCE02)}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{Metadata}: {Managing} {Multimedia} {Content} {Efficiently}}, venue = {Erfurt}, year = {2002} } - Herre, J. and Purnhagen, H.
General Audio Coding
In Pereira, F. and Ebrahimi, T. (ed.): The MPEG-4 Book, Prentice Hall: 487–544, 2002.@incollection{herre_gac_2002, author = {Herre, J. and Purnhagen, H.}, booktitle = {The MPEG-4 Book}, editor = {Pereira, F. and Ebrahimi, T.}, isbn = {0-13-061621-4}, pages = {487-544}, publisher = {Prentice Hall}, title = {General Audio Coding}, year = {2002} } - Herre, Jürgen and Purnhagen, Heiko
General Audio Coding
In: Prentice Hall IMSC Multimedia Series, ISMC: 487–544, 2002.@incollection{faucris.116327244, address = {USA}, author = {Herre, Jürgen and Purnhagen, Heiko}, booktitle = {Prentice Hall IMSC Multimedia Series}, faupublication = {yes}, isbn = {0-13-061621-4}, note = {herre{\_}books{\_}journals}, pages = {487-544}, peerreviewed = {unknown}, publisher = {ISMC}, title = {{General} {Audio} {Coding}}, year = {2002} } - Herre, Jürgen and Neubauer, Christian
'Fingerprints' und 'Signaturen' - neue Ansätze zur Inhaltserkennung
In Tonmeistertagung: -, 2002.@inproceedings{faucris.116660104, address = {Hannover}, author = {Herre, Jürgen and Neubauer, Christian}, booktitle = {Tonmeistertagung}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Tonmeistertagung}, title = {'{Fingerprints}' und '{Signaturen}' - neue {Ansätze} zur {Inhaltserkennung}}, venue = {Hannover}, year = {2002} } - Herre, Jürgen and Geyersberger, Stefan
Audio Compression Schemes in Digital Television Broadcasting - An Overview
In Proceedings of the Interregional ITU-D Seminar on the Transition to Digital Broadcasting, 2001.@inproceedings{faucris.305578035, author = {Herre, Jürgen and Geyersberger, Stefan}, booktitle = {Proceedings of the Interregional ITU-D Seminar on the Transition to Digital Broadcasting}, date = {2001-11-05/2001-11-07}, faupublication = {no}, note = {herre{\_}books{\_}journals}, peerreviewed = {unknown}, title = {{Audio} {Compression} {Schemes} in {Digital} {Television} {Broadcasting} - {An} {Overview}}, venue = {Nairobi}, year = {2001} } - Brandenburg, K. and Herre, J.
Quellencodierung von Audiosignalen in Hifi-Qualität: Stand der Technik und Entwicklungen
Fernseh- und Kinotechnik, 55, 2001.@article{herre_quellencodierung_2001, author = {Brandenburg, K. and Herre, J.}, issue = {6}, journal = {Fernseh- und Kinotechnik}, title = {Quellencodierung von Audiosignalen in Hifi-Qualit{\"a}t: Stand der Technik und Entwicklungen}, volume = {55}, year = {2001} } - Brandenburg, Karlheinz and Herre, Jürgen
Quellencodierung von Audiosignalen in Hifi-Qualität: Stand der Technik und Entwicklungen
In: Fernseh- und Kinotechnik, 55. Jahrgang Nr. 6, Journal Article: -, 2001.@incollection{faucris.113658644, address = {Deutschland}, author = {Brandenburg, Karlheinz and Herre, Jürgen}, booktitle = {Fernseh- und Kinotechnik, 55. Jahrgang Nr. 6}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Journal Article}, title = {{Quellencodierung} von {Audiosignalen} in {Hifi}-{Qualität}: {Stand} der {Technik} und {Entwicklungen}}, year = {2001} } - Lindsay, A. and Herre, J.
MPEG-7 and MPEG-7 Audio - An Overview
Journal of the AES, 49: 589–594, 2001.@article{herre_mpeg7_overview_2001, author = {Lindsay, A. and Herre, J.}, issue = {7/8}, journal = {Journal of the AES}, month = {july}, pages = {589-594}, title = {MPEG-7 and MPEG-7 Audio - An Overview}, volume = {49}, year = {2001} } - Quackenbush, Schuyler R., Herre, Jürgen, Grill, Bernhard, and et al.
A Review of MPEG-4 General Audio Coding
In: Advances in Multimedia: Systems, Standards and Networks, Marcel Dekker: -, 2000.@incollection{faucris.108821724, address = {London}, author = {Quackenbush, Schuyler R. and Herre, Jürgen and Grill, Bernhard and et al.}, author_hint = {Johnston J. D., Quackenbush S. R. , Herre Jürgen, Grill Bernhard}, booktitle = {Advances in Multimedia: Systems, Standards and Networks}, faupublication = {no}, isbn = {0-8247-9303-X}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {Marcel Dekker}, support_note = {Author relations incomplete. You may find additional data in field 'author{\_}hint'}, title = {{A} {Review} of {MPEG}-4 {General} {Audio} {Coding}}, year = {2000} } - Herre, Jürgen
Watermarking und Scrambling codierter Audiosignale - neue Techniken bei der Verteilung multimedialer Daten
In: Vortrag im Rahmen der Veranstaltungsreihe Media-Event, IEEE: -, 2000.@incollection{faucris.108822164, address = {TU Ilmenau}, author = {Herre, Jürgen}, booktitle = {Vortrag im Rahmen der Veranstaltungsreihe Media-Event}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{Watermarking} und {Scrambling} codierter {Audiosignale} - neue {Techniken} bei der {Verteilung} multimedialer {Daten}}, year = {2000} } - Johnston, J. D., Quackenbush, S. R., Herre, J., and Grill, B.
A Review of MPEG-4 General Audio Coding
In Puri, A. and Chen, T. (ed.): Advances in Multimedia: Systems, Standards and Networks, Marcel Dekker, 2000.@incollection{herre_reviewmpeg4_2000, author = {Johnston, J. D. and Quackenbush, S. R. and Herre, J. and Grill, B.}, booktitle = {Advances in Multimedia: Systems, Standards and Networks}, editor = {Puri, A. and Chen, T.}, isbn = {0-8247-9303-X}, publisher = {Marcel Dekker}, title = {A Review of MPEG-4 General Audio Coding}, year = {2000} } - Herre, Jürgen
MP3 und MPEG Audio: Wie funktioniert moderne Datenkompression ?
herre _books _journals, 2000.@misc{faucris.115544924, author = {Herre, Jürgen}, faupublication = {no}, keywords = {Vortrag vor den Siegern des Bundesjugendwettbewerbs Informatik}, note = {herre{\_}books{\_}journals}, title = {{MP3} und {MPEG} {Audio}: {Wie} funktioniert moderne {Datenkompression} ?}, year = {2000} } - Herre, Jürgen and Grill, Bernhard
MPEG-4 Audio - Overview and Perspectives for the Broadcasters
In: International Broadcasting Convention, IBC: -, 2000.@incollection{faucris.116947204, address = {Amsterdam}, author = {Herre, Jürgen and Grill, Bernhard}, booktitle = {International Broadcasting Convention}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IBC}, title = {{MPEG}-4 {Audio} - {Overview} and {Perspectives} for the {Broadcasters}}, year = {2000} } - Herre, Jürgen
Audio Watermarking in the Bitstream Domain
In 25th Anniversary Workshop of the Signal Processing Lab: -, 2000.@inproceedings{faucris.116730284, address = {Technion University, Haifa}, author = {Herre, Jürgen}, booktitle = {25th Anniversary Workshop of the Signal Processing Lab}, faupublication = {no}, keywords = {Workshop}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{Audio} {Watermarking} in the {Bitstream} {Domain}}, year = {2000} } - Grill, Bernhard, Herre, Jürgen, and et al.
Short Course "MPEG-4 Audio"
In: IEEE International Symposium on Circuits and Systems (ISCAS), IEEE: -, 2000.@incollection{faucris.114632364, address = {Geneva}, author = {Grill, Bernhard and Herre, Jürgen and et al.}, author_hint = {Brandenburg K., Grill Bernhard, Herre Jürgen, Väänänen R.}, booktitle = {IEEE International Symposium on Circuits and Systems (ISCAS)}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, support_note = {Author relations incomplete. You may find additional data in field 'author{\_}hint'}, title = {{Short} {Course} "{MPEG}-4 {Audio}"}, year = {2000} } - Herre, Jürgen and Grill, Bernhard
Overview of MPEG-4 Audio and its Application in Mobile Communications
In: 16th World Computer Congress / IEEE International Conference on Signal Processing (ICSP), IEEE: -, 2000.@incollection{faucris.115086004, address = {Beijing}, author = {Herre, Jürgen and Grill, Bernhard}, booktitle = {16th World Computer Congress / IEEE International Conference on Signal Processing (ICSP)}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{Overview} of {MPEG}-4 {Audio} and its {Application} in {Mobile} {Communications}}, year = {2000} } - Herre, Jürgen
Audio Compression Schemes in Digital Television Broadcasting - An Overview
In Interregional ITU-D Seminar on the Transition from SECAM to Digital Broadcasting: -, 2000.@inproceedings{faucris.115175764, address = {Kiev}, author = {Herre, Jürgen}, booktitle = {Interregional ITU-D Seminar on the Transition from SECAM to Digital Broadcasting}, date = {2000-11-13/2000-11-15}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{Audio} {Compression} {Schemes} in {Digital} {Television} {Broadcasting} - {An} {Overview}}, venue = {Kiev}, year = {2000} } - Johnston, J. D., Quackenbush, S. R., Davidson, G. A., Brandenburg, K., and Herre, J.
MPEG Audio Coding
In Akansu, A. N. and Medley, M. J. (ed.): Wavelet, Subband and Block Transforms in Communications and Multimedia, Kluwer academic publishers, 1999.@incollection{herre_mpegaudiocoding_2000, author = {Johnston, J. D. and Quackenbush, S. R. and Davidson, G. A. and Brandenburg, K. and Herre, J.}, booktitle = {Wavelet, Subband and Block Transforms in Communications and Multimedia}, editor = {Akansu, A. N. and Medley, M. J.}, isbn = {0-7923-8507-1}, publisher = {Kluwer academic publishers}, title = {MPEG Audio Coding}, year = {1999} } - Herre, Jürgen and Johnston, J D
Exploiting Both Time and Frequency Structure in a System that Uses an Analysis/Synthesis Filterbank with High Frequency Resolution
In 103rd AES Convention: -, 1997.@inproceedings{faucris.111830444, address = {New York}, author = {Herre, Jürgen and Johnston, J D}, booktitle = {103rd AES Convention}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{Exploiting} {Both} {Time} and {Frequency} {Structure} in a {System} that {Uses} an {Analysis}/{Synthesis} {Filterbank} with {High} {Frequency} {Resolution}}, venue = {New York, USA}, volume = {Preprint 4519}, year = {1997} } - Bosi, M., Brandenburg, K., Quackenbush, S., Fielder, L., Akagiri, K., Fuchs, H., Dietz, M., Herre, J., Davidson, G., and Oikawa, Y.
ISO/IEC MPEG-2 Advanced Audio Coding
Journal of the AES, 45: 789–814, 1997.@article{herre_mpeg2_aac_2001, author = {Bosi, M. and Brandenburg, K. and Quackenbush, S. and Fielder, L. and Akagiri, K. and Fuchs, H. and Dietz, M. and Herre, J. and Davidson, G. and Oikawa, Y.}, issue = {10}, journal = {Journal of the AES}, month = {oct}, pages = {789-814}, title = {ISO/IEC MPEG-2 Advanced Audio Coding}, volume = {45}, year = {1997} } - Bosi, M, Brandenburg, Karlheinz, Quackenbush, Schuyler R., Fielder, L, Akagiri, K, Fuchs, Harald, Dietz, M, Herre, Jürgen, Davidson, G, and Oikawa, Y
ISO/IEC MPEG-2 Advanced Audio Coding
Journal of the Audio Engineering Society, 45: 789–814, 1997.@article{faucris.294435537, author = {Bosi, M and Brandenburg, Karlheinz and Quackenbush, Schuyler R. and Fielder, L and Akagiri, K and Fuchs, Harald and Dietz, M and Herre, Jürgen and Davidson, G and Oikawa, Y}, faupublication = {no}, journal = {Journal of the Audio Engineering Society}, note = {herre{\_}books{\_}journals}, pages = {789 - 814}, peerreviewed = {unknown}, title = {{ISO}/{IEC} {MPEG}-2 {Advanced} {Audio} {Coding}}, volume = {45}, year = {1997} } - Herre, Jürgen and Quackenbush, Schuyler R.
MPEG and PAC Audio Coders
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics: -, 1997.@inproceedings{faucris.108820844, address = {Mohonk}, author = {Herre, Jürgen and Quackenbush, Schuyler R.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, faupublication = {no}, keywords = {Workshop}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{MPEG} and {PAC} {Audio} {Coders}}, venue = {Mohonk, USA}, year = {1997} } - Sporer, T., Gbur, U., Herre, J., and Kapust, R.
Evaluating a Measurement System
Journal of the AES, 43: 353–363, 1995.@article{herre_ems_2001, author = {Sporer, T. and Gbur, U. and Herre, J. and Kapust, R.}, issue = {5}, journal = {Journal of the AES}, pages = {353-363}, title = {Evaluating a Measurement System}, volume = {43}, year = {1995} } - Herre, Jürgen
The NMR Measurement Technique
In: 95th AES Convention, AES: -, 1993.@incollection{faucris.113546224, address = {New York}, author = {Herre, Jürgen}, booktitle = {95th AES Convention}, faupublication = {no}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {AES}, title = {{The} {NMR} {Measurement} {Technique}}, year = {1993} } - Brandenburg, Karlheinz, Eberlein, K, Herre, Jürgen, and Edler, Bernd
Comparison of Filterbanks for High Quality Audio Coding
In IEEE ISCAS: -, 1992.@inproceedings{faucris.115735224, address = {San Diego}, author = {Brandenburg, Karlheinz and Eberlein, K and Herre, Jürgen and Edler, Bernd}, booktitle = {IEEE ISCAS}, faupublication = {yes}, note = {herre{\_}books{\_}journals}, pages = {-}, peerreviewed = {unknown}, publisher = {IEEE}, title = {{Comparison} of {Filterbanks} for {High} {Quality} {Audio} {Coding}}, venue = {San Diego}, year = {1992} }
Conference Papers and Presentations
Listening Experience
- Stöter, Fabian-Robert, Schoeffler, Michael, Edler, Bernd, and Herre, Jürgen
Human ability of counting the number of instruments in polyphonic music
In Proceedings of Meetings on Acoustics Vol. 19, 2013. DOI@inproceedings{stoter_ice_2013, address = {Montreal, Canada}, author = {St\"{o}ter, Fabian-Robert and Schoeffler, Michael and Edler, Bernd and Herre, J\"{u}rgen}, booktitle = {Proceedings of Meetings on Acoustics Vol. 19}, doi = {10.1121/1.4799609}, keywords = {number instruments voices counting}, mendeley-tags = {number instruments voices counting}, month = {jun}, publisher = {Acoustical Society of America}, title = {{Human ability of counting the number of instruments in polyphonic music}}, url = {http://asadl.org/poma/resource/1/pmarcw/v19/i1/p035034\_s1}, year = {2013} } - Schoeffler, Michael, Stöter, Fabian-Robert, Bayerlein, Harald, Edler, Bernd, and Herre, Jürgen
An Experiment about Estimating the Number of Instruments in Polyphonic Music: A Comparison Between Internet and Laboratory Results
In Proceedings of 14th International Society for Music Information Retrieval Conference, 2013.@inproceedings{schoeffler_wice_2013, address = {Curitiba, Brazil}, author = {Schoeffler, Michael and St\"{o}ter, Fabian-Robert and Bayerlein, Harald and Edler, Bernd and Herre, J\"{u}rgen}, booktitle = {Proceedings of 14th International Society for Music Information Retrieval Conference}, month = {nov}, publisher = {International Society for Music Information Retrieval}, title = {{An Experiment about Estimating the Number of Instruments in Polyphonic Music: A Comparison Between Internet and Laboratory Results}}, year = {2013} } - Schoeffler, Michael and Herre, Jürgen
About the Impact of Audio Quality on Overall Listening Experience
In Proceedings of Sound and Music Computing Conference: 48–53, 2013.@inproceedings{schoeffler_aiaqole_2013, address = {Stockholm, Sweden}, author = {Schoeffler, Michael and Herre, J\"{u}rgen}, booktitle = {Proceedings of Sound and Music Computing Conference}, month = {jul}, pages = {48--53}, title = {{About the Impact of Audio Quality on Overall Listening Experience}}, year = {2013} } - Schoeffler, Michael, Edler, Bernd, and Herre, Jürgen
How Much Does Audio Quality Influence Ratings of Overall Listening Experience?
{journal}Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research, 2013author = {Schoeffler, Michael and Westphal, Susanne and Adami, Alexander and Bayerlein, Harald and Herre, J\"{u}rgen}, title = {Comparison of a 2D- and 3D-Based Graphical User Interface for Localization Listening Tests}, booktitle = {Proc. of the EAA Joint Symposium on Auralization and Ambisonics}, month = {apr} year = {2014}, address = {Berlin, Germany}, pages = {107--112}, }} author = {Schoeffler, Michael and Edler, Bernd and Herre, J\"{u}rgen}, title = {How Much Does Audio Quality Influence Ratings of Overall Listening Experience?}, booktitle = {Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research}, month = {oct} year = {2013}, address = {Marseille, France}, }}
Perceptual Measurements
- Keyhl, M., Schmidmer, C., Herre, J., and Hilpert, J.
Maintaining Sound Quality - Experiences and Constraints of Perceptual Measurements in Today's and Future Networks
In 98th AES Convention, 1995.@inproceedings{keyhl_1995_msq, address = {Paris}, author = {Keyhl, M. and Schmidmer, C. and Herre, J. and Hilpert, J.}, booktitle = {98th AES Convention}, note = {Preprint 3946}, title = {{Maintaining Sound Quality - Experiences and Constraints of Perceptual Measurements in Today's and Future Networks}}, year = {1995} } - Keyhl, M., Herre, J., and Schmidmer, C.
NMR Measurements on Multiple Generations Audio Coding
In 96th AES Convention, 1994.@inproceedings{keyhl_1994_nmr, address = {Amsterdam}, author = {Keyhl, M. and Herre, J. and Schmidmer, C.}, booktitle = {96th AES Convention}, note = {Preprint 3803}, title = {{NMR Measurements on Multiple Generations Audio Coding}}, year = {1994} } - Sporer, T., Gbur, U., Herre, J., and Kapust, R.
Evaluating a Measurement System
In 95th AES Convention, 1993.@inproceedings{sporer_1993_ems, address = {New York}, author = {Sporer, T. and Gbur, U. and Herre, J. and Kapust, R.}, booktitle = {95th AES Convention}, note = {Preprint 3704}, title = {{Evaluating a Measurement System}}, year = {1993} } - Keyhl, M., Herre, J., and Schmidmer, C.
NMR Measurements of Consumer Recording Devices Which Use Low Bit-Rate Audio Coding
In 94th AES Convention, 1993.@inproceedings{keyhl_1993_nmr, address = {Berlin}, author = {Keyhl, M. and Herre, J. and Schmidmer, C.}, booktitle = {94th AES Convention}, note = {Preprint 3616}, title = {{NMR Measurements of Consumer Recording Devices Which Use Low Bit-Rate Audio Coding}}, year = {1993} } - Herre, Jürgen, Eberlein, Ernst, Schott, Hartmut, and Schmidmer, Christian
Analysis Tool for Realtime Measurements using Perceptual Criteria
In Proc. of the 11th International AES Conference on Audio Test and Measurement: 180–190, 1992.@inproceedings{herre_1992_atrmpc, address = {Portland}, author = {Herre, J\"{u}rgen and Eberlein, Ernst and Schott, Hartmut and Schmidmer, Christian}, booktitle = {Proc. of the 11th International AES Conference on Audio Test and Measurement}, pages = {180--190}, title = {{Analysis Tool for Realtime Measurements using Perceptual Criteria}}, year = {1992} } - Herre, Jürgen, Eberlein, Ernst, Schott, Hartmut, and Brandenburg, Karlheinz
Advanced Audio Measurement System using Psychoacoustic Properties
In 92th AES Convention, 1992.@inproceedings{herre_1992_aamspp, address = {Vienna}, author = {Herre, J\"{u}rgen and Eberlein, Ernst and Schott, Hartmut and Brandenburg, Karlheinz}, booktitle = {92th AES Convention}, note = {Preprint 3332}, title = {{Advanced Audio Measurement System using Psychoacoustic Properties}}, year = {1992} }
Perceptual Audio Coding
- Herre, Jürgen and Dick, Sascha
Psychoacoustic Models for Perceptual Audio Coding-A Tutorial Review
Applied Sciences, 9, 2019. DOI@article{faucris.242570946, abstract = {Psychoacoustic models of human auditory perception have found an important application in the realm of perceptual audio coding, where exploiting the limitations of perception and removal of irrelevance is key to achieving a significant reduction in bitrate while preserving subjective audio quality. To this end, psychoacoustic models do not need to be perfect to satisfy their purpose, and in fact the commonly employed models only represent a small subset of the known properties and abilities of the human auditory system. This paper provides a tutorial introduction of the most commonly used psychoacoustic models for low bitrate perceptual audio coding.}, author = {Herre, Jürgen and Dick, Sascha}, doi = {10.3390/app9142854}, faupublication = {no}, journal = {Applied Sciences}, note = {Created from Fastlane, WoS look-up}, peerreviewed = {Yes}, title = {{Psychoacoustic} {Models} for {Perceptual} {Audio} {Coding}-{A} {Tutorial} {Review}}, url = {https://www.mdpi.com/2076-3417/9/14/2854/htm}, volume = {9}, year = {2019} } - Herre, Jürgen and Dick, Sascha
Psychoacoustic Models for Perceptual Audio Coding-A Tutorial Review
Applied Sciences, 9, 2019. DOI@article{faucris.242570946, abstract = {Psychoacoustic models of human auditory perception have found an important application in the realm of perceptual audio coding, where exploiting the limitations of perception and removal of irrelevance is key to achieving a significant reduction in bitrate while preserving subjective audio quality. To this end, psychoacoustic models do not need to be perfect to satisfy their purpose, and in fact the commonly employed models only represent a small subset of the known properties and abilities of the human auditory system. This paper provides a tutorial introduction of the most commonly used psychoacoustic models for low bitrate perceptual audio coding.}, author = {Herre, Jürgen and Dick, Sascha}, doi = {10.3390/app9142854}, faupublication = {no}, journal = {Applied Sciences}, keywords = {Psychoacoustic}, note = {herre{\_}papers{\_}perceptual{\_}audio{\_}coding}, peerreviewed = {Yes}, title = {{Psychoacoustic} {Models} for {Perceptual} {Audio} {Coding}-{A} {Tutorial} {Review}}, url = {https://www.mdpi.com/2076-3417/9/14/2854/htm}, volume = {9}, year = {2019} } - Geiger, R., Yu, R., Herre, J., Rahardja, S., Kim, S., Lin, X., and Schmidt, M.
ISO/IEC MPEG-4 High-Definition Scalable Advanced Audio Coding
In 120th AES Convention, 2006.@inproceedings{geiger_2007_aac, address = {Paris}, author = {Geiger, R. and Yu, R. and Herre, J. and Rahardja, S. and Kim, S. and Lin, X. and Schmidt, M.}, booktitle = {120th AES Convention}, note = {Preprint 6791}, title = {ISO/IEC MPEG-4 High-Definition Scalable Advanced Audio Coding}, year = {2006} } - Yu, R., Geiger, R., Rahardja, S., Herre, J., Lin, X., and Huang, H.
MPEG-4 Scalable to Lossless Coding
In 117th AES Convention, 2004.@inproceedings{yu_2004_slc, address = {San Francisco}, author = {Yu, R. and Geiger, R. and Rahardja, S. and Herre, J. and Lin, X. and Huang, H.}, booktitle = {117th AES Convention}, note = {Preprint 6183}, title = {MPEG-4 Scalable to Lossless Coding}, year = {2004} } - Geiger, R., Schuller, G., Herre, J., Sperschneider, R., and Sporer, T.
Scalable Perceptual and Lossless Audio Compression Based on MPEG-4 AAC
In 115th AES Convention, 2003.@inproceedings{geiger_2003_spla, address = {New York}, author = {Geiger, R. and Schuller, G. and Herre, J. and Sperschneider, R. and Sporer, T.}, booktitle = {115th AES Convention}, note = {Preprint 5868}, title = {Scalable Perceptual and Lossless Audio Compression Based on MPEG-4 AAC}, year = {2003} } - Geiger, R., Herre, J., Schuller, G., and Brandenburg, K.
Fine Grain Scalable Perceptual and Lossless Audio Coding based on intMDCT
In IEEE ICASSP, 2003.@inproceedings{geiger_2003_fgsp, address = {Hongkong}, author = {Geiger, R. and Herre, J. and Schuller, G. and Brandenburg, K.}, booktitle = {IEEE ICASSP}, title = {Fine Grain Scalable Perceptual and Lossless Audio Coding based on intMDCT}, year = {2003} } - Weishart, M., Göbel, R., and Herre, J.
Two-Pass Encoding of Audio Material Using MP3 Compression
In 113th AES Convention, 2002.@inproceedings{weishart_2002_eam, address = {Los Angeles}, author = {Weishart, M. and G\"{o}bel, R. and Herre, J.}, booktitle = {113th AES Convention}, note = {Preprint 5687}, title = {Two-Pass Encoding of Audio Material Using MP3 Compression}, year = {2002} } - Moehrs, S., Herre, J., and Geiger, R.
Analyzing Decompressed Audio with the 'Inverse Decoder' — Towards an Operative Algorithm
In 112th AES Convention, 2002.@inproceedings{geiger_2002_ada, address = {Munich}, author = {Moehrs, S. and Herre, J. and Geiger, R.}, booktitle = {112th AES Convention}, note = {Preprint 5576}, title = {Analyzing Decompressed Audio with the 'Inverse Decoder' -- Towards an Operative Algorithm}, year = {2002} } - Sporer, T., Grill, B., and Herre, J.
MPEG-4 Low Delay General Audio
In SPIE's ITCom 2001: International Symposium on the Convergence of IT and Communications, Voice Over IP (VoIP) Technology Section, 2001.@inproceedings{sporer_2001_ldga, address = {Denver}, author = {Sporer, T. and Grill, B. and Herre, J.}, booktitle = {SPIE's ITCom 2001: International Symposium on the Convergence of IT and Communications, Voice Over IP (VoIP) Technology Section}, month = {aug}, title = {MPEG-4 Low Delay General Audio}, year = {2001} } - Geiger, R., Herre, J., and Brandenburg, K.
INTMDCT — A Link Between Perceptual and Lossless Audio Coding
In IEEE ICASSP, 2001.@inproceedings{geiger_2001_plac, address = {Miami}, author = {Geiger, R. and Herre, J. and Brandenburg, K.}, booktitle = {IEEE ICASSP}, title = {INTMDCT -- A Link Between Perceptual and Lossless Audio Coding}, year = {2001} } - Herre, J. and Schug, M.
Analysis of Decompressed Audio — The 'Inverse Decoder'
In 109th AES Convention, 2000.@inproceedings{herre_2000_id, address = {Los Angeles}, author = {Herre, J. and Schug, M.}, booktitle = {109th AES Convention}, note = {Preprint 5256}, title = {Analysis of Decompressed Audio -- The 'Inverse Decoder'}, year = {2000} } - Allamanche, E., Geiger, R., Herre, J., and Sporer, T.
MPEG-4 Low Delay Audio Coding based on the AAC Codec
In 106th AES Convention, 1999.@inproceedings{allamanche_1999_aac, address = {Munich}, author = {Allamanche, E. and Geiger, R. and Herre, J. and Sporer, T.}, booktitle = {106th AES Convention}, note = {Preprint 4929}, title = {MPEG-4 Low Delay Audio Coding based on the AAC Codec}, year = {1999} } - Herre, J. and Schulz, D.
Extending the MPEG-4 AAC Codec by Perceptual Noise Substitution
In 104th AES Convention, 1998.@inproceedings{herre_1998_pns, address = {Amsterdam}, author = {Herre, J. and Schulz, D.}, booktitle = {104th AES Convention}, note = {Preprint 4720}, title = {Extending the MPEG-4 AAC Codec by Perceptual Noise Substitution}, year = {1998} } - Herre, J., Allamanche, E., Brandenburg, K., Dietz, M., Teichmann, B., Grill, B., Jin, A., Moriya, T., Iwakami, N., Norimatsu, T. amd Tsushima, M., and Ishikawa, T.
The Integrated Filterbank Based Scalable MPEG-4 Audio Coder
In 105th AES Convention, 1998.@inproceedings{herre_1998_if, address = {San Francisco}, author = {Herre, J. and Allamanche, E. and Brandenburg, K. and Dietz, M. and Teichmann, B. and Grill, B. and Jin, A. and Moriya, T. and Iwakami, N. and Norimatsu, T. amd Tsushima, M. and Ishikawa, T.}, booktitle = {105th AES Convention}, note = {Preprint 4810}, title = {The Integrated Filterbank Based Scalable MPEG-4 Audio Coder}, year = {1998} } - Dietz, M., Herre, J., Teichmann, B., and Brandenburg, K.
Bridging the Gap: Extending MPEG Audio down to 8 kbit/s
In 102nd AES Convention, 1997.@inproceedings{dietz_1997_btg, address = {Munich}, author = {Dietz, M. and Herre, J. and Teichmann, B. and Brandenburg, K.}, booktitle = {102nd AES Convention}, note = {Preprint 4508}, title = {Bridging the Gap: Extending MPEG Audio down to 8 kbit/s}, year = {1997} } - Bosi, M., Brandenburg, k., Quackenbush, S., Fielder, L., Akagiri, K., Fuchs, H., Dietz, M., Herre, J., Davidson, G., and Oikawa
ISO/IEC MPEG-2 Advanced Audio Coding
In 101st AES Convention, 1996.@inproceedings{bosi_1996_aac, address = {Los Angeles}, author = {Bosi, M. and Brandenburg, k. and Quackenbush, S. and Fielder, L. and Akagiri, K. and Fuchs, H. and Dietz, M. and Herre, J. and Davidson, G. and Oikawa}, booktitle = {101st AES Convention}, note = {Preprint 4382}, title = {ISO/IEC MPEG-2 Advanced Audio Coding}, year = {1996} } - Herre, J. and Johnston, D.
Enhancing the Performance of Perceptual Audio Coders by Using Temporal Noise Shaping (TNS)
In 101st AES Convention, 1996.@inproceedings{herre_1996_tns, address = {Los Angeles}, author = {Herre, J. and Johnston, D.}, booktitle = {101st AES Convention}, note = {Preprint 4384}, title = {Enhancing the Performance of Perceptual Audio Coders by Using Temporal Noise Shaping (TNS)}, year = {1996} } - Herre, J., Brandenburg, K., Eberlein, E., and Grill, B.
Second Generation ISO/MPEG-Audio Layer III Coding
In 98th AES Convention, 1995.@inproceedings{herre_1995_sgc, address = {Paris}, author = {Herre, J. and Brandenburg, K. and Eberlein, E. and Grill, B.}, booktitle = {98th AES Convention}, note = {Preprint 3939}, title = {Second Generation ISO/MPEG-Audio Layer III Coding}, year = {1995} } - Keyhl, M., Herre, J., Ferreira, A., and Gilchrist, N.H.C.
The Effect of Low Bit-Rate Coding Upon Impaired Audio Material
In Proceedings of the IBC, 1995.@inproceedings{keyhl_1995_iam, address = {Amsterdam}, author = {Keyhl, M. and Herre, J. and Ferreira, A. and Gilchrist, N.H.C.}, booktitle = {Proceedings of the IBC}, title = {The Effect of Low Bit-Rate Coding Upon Impaired Audio Material}, year = {1995} } - Brandenburg, K., Buchta, R., Eberlein, E., Friedrich, R., Grill, B., and Herre, J.
Eine neue Generation von ISO/MPEG-Audio Layer III Codern
In Tonmeistertagung 1994, 1994.@inproceedings{brandenburg_1994_lac, address = {Karlsruhe}, author = {Brandenburg, K. and Buchta, R. and Eberlein, E. and Friedrich, R. and Grill, B. and Herre, J.}, booktitle = {Tonmeistertagung 1994}, title = {Eine neue Generation von ISO/MPEG-Audio Layer III Codern}, year = {1994} } - Eberlein, E., Popp, H., Grill, B., and Herre, J.
Layer-III A Flexible Coding Standard
In 94th AES Convention, 1993.@inproceedings{eberlein_1994_fcs, address = {Berlin}, author = {Eberlein, E. and Popp, H. and Grill, B. and Herre, J.}, booktitle = {94th AES Convention}, note = {Preprint 3493}, title = {Layer-III A Flexible Coding Standard}, year = {1993} } - Brandenburg, K. and Herre, J.
Digital Audio Compression for Professional Applications
In 92th AES Convention, 1992.@inproceedings{brandenburg_1992_pa, address = {Vienna}, author = {Brandenburg, K. and Herre, J.}, booktitle = {92th AES Convention}, note = {Preprint 3330}, title = {Digital Audio Compression for Professional Applications}, year = {1992} } - Herre, J., Eberlein, E., and Brandenburg, K.
A Real Time Perceptual Threshold Simulator
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 1991.@inproceedings{herre_1991_pts, address = {Mohonk, Paris}, author = {Herre, J. and Eberlein, E. and Brandenburg, K.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {A Real Time Perceptual Threshold Simulator}, year = {1991} } - Seitzer, D., Sporer, T., Brandenburg, K., Gerhäuser, H., Grill, B., and Herre, J.
Digital Coding of High Quality Audio
In IEEE 5th Annual European Computer Conference (COMPEURO 91): 148–154, 1991.@inproceedings{brandenburg_1991_aspec, address = {Bologna}, author = {Seitzer, D. and Sporer, T. and Brandenburg, K. and Gerh\"{a}user, H. and Grill, B. and Herre, J.}, booktitle = {IEEE 5th Annual European Computer Conference (COMPEURO 91)}, month = {may}, pages = {148--154}, title = {Digital Coding of High Quality Audio}, year = {1991} } - Brandenburg, K., Herre, J., Johnston, J.D., Mahieux, Y., and Schroeder, E.F.
ASPEC: Adaptive Spectral Perceptual Entropy Coding of High Quality Music Signals
In 90th AES Convention, 1991.@inproceedings{brandenburg_1991_aspec, address = {Paris}, author = {Brandenburg, K. and Herre, J. and Johnston, J.D. and Mahieux, Y. and Schroeder, E.F.}, booktitle = {90th AES Convention}, note = {Preprint 3011}, title = {ASPEC: Adaptive Spectral Perceptual Entropy Coding of High Quality Music Signals}, year = {1991} }
Perceptual Signal Processing
- Dick, Sascha, Sweidan, Rami, and Herre, Jürgen
Investigation of masking thresholds for spatially distributed sound sources
In 147th Audio Engineering Society International Convention 2019, 2019.@inproceedings{faucris.230328861, abstract = {For perceptual audio coding of immersive content, the investigation of masking effects between spatially distributed sound sources is of interest. We conducted subjective listening experiments to determine the masking thresholds for ‘tone-masking-noise’ conditions when masker (1 kHz sine tone) and probe (1 kHz narrow band noise) are spatially distributed, using an immersive 22.2 loudspeaker setup. Our results show masking thresholds in the range of -35 dB to -26 dB probe-to-masker-ratio. As expected, least masking was found between left/right opposed sources with up to 5 dB lower than for coincident sources. Other noteworthy observations included an increase of masking for certain elevations and cases of selective masking decrease due to interaural phase difference phenomena.}, author = {Dick, Sascha and Sweidan, Rami and Herre, Jürgen}, booktitle = {147th Audio Engineering Society International Convention 2019}, date = {2019-10-16/2019-10-19}, faupublication = {yes}, note = {herre{\_}papers{\_}perceptual{\_}sig{\_}proc}, peerreviewed = {unknown}, publisher = {Audio Engineering Society}, title = {{Investigation} of masking thresholds for spatially distributed sound sources}, venue = {New York, NY}, year = {2019} } - Dick, Sascha and Herre, Jürgen
Comparison of just noticeable differences in localization of virtual sound sources over headphones and loudspeakers
In Proceedings of the AES International Conference, 2019.@inproceedings{faucris.229201175, abstract = {In this paper, we investigate the just noticeable difference (JND) for the perception of horizontal and vertical angular separation between rendered virtual sound source objects for combinations of different stimuli. Listening test experiments were conducted on loudspeaker and binaural headphone reproduction, to assess differences between both playback scenarios, and how closely headphone tests can approximate JNDs for loudspeaker playback. Results show JNDs in the range of 1°– 3° for horizontal separation and in the range of 7°– 22° for vertical separation for both scenarios. Differences between loudspeaker and headphone playback were found to be significant, but small in comparison to the dependence on the signal content.}, author = {Dick, Sascha and Herre, Jürgen}, booktitle = {Proceedings of the AES International Conference}, date = {2019-08-27/2019-08-29}, faupublication = {yes}, note = {herre{\_}papers{\_}perceptual{\_}sig{\_}proc}, peerreviewed = {unknown}, publisher = {Audio Engineering Society}, title = {{Comparison} of just noticeable differences in localization of virtual sound sources over headphones and loudspeakers}, venue = {San Francisco, CA}, volume = {2019-August}, year = {2019} } - Dick, Sascha and Herre, Jürgen
Predicting the Precision of Elevation Localization Based on Head Related Transfer Functions
In ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings: 326–330, 2019. DOI@inproceedings{faucris.222887858, abstract = {While the human hearing capability for horizontally localized sound sources is mostly based on binaural cues, the localization of elevation along the »cones of confusion» can only rely on spectral cues provided by the directionality of head related transfer functions (HRTF). This paper explores how the magnitude of spectral differences between HRTF affects the availability of spectral cues to perceive and detect different elevations and hence limits localization accuracy. A method to predict localization accuracy is presented, based on analysis of the gradient of HRTF log-spectral differences for elevation positional changes. To this end, the localization accuracy is estimated from an HRTF database with 45 subjects. Validation of the results shows good agreement with results from subjective localization experiments reported in literature.}, author = {Dick, Sascha and Herre, Jürgen}, booktitle = {ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings}, date = {2019-05-12/2019-05-17}, doi = {10.1109/ICASSP.2019.8682313}, faupublication = {yes}, isbn = {9781479981311}, keywords = {Auditory perception; elevation perception accuracy; head related transfer functions; just noticeable differences}, note = {herre{\_}papers{\_}perceptual{\_}sig{\_}proc}, pages = {326-330}, peerreviewed = {unknown}, publisher = {Institute of Electrical and Electronics Engineers Inc.}, title = {{Predicting} the {Precision} of {Elevation} {Localization} {Based} on {Head} {Related} {Transfer} {Functions}}, venue = {Brighton}, volume = {2019-May}, year = {2019} } - Paulus, Jouni, Uhle, Christian, Herre, Jürgen, and Hoepfel, Marc
A study on the preferred level of late reverberation in speech and music
In Proceedings of the 60th AES International Conference on Dereverberation and Reverberation of Audio, Music, and Speech, 2016.@inproceedings{faucris.306456534, author = {Paulus, Jouni and Uhle, Christian and Herre, Jürgen and Hoepfel, Marc}, booktitle = {Proceedings of the 60th AES International Conference on Dereverberation and Reverberation of Audio, Music, and Speech}, faupublication = {yes}, month = {Jan}, note = {herre{\_}papers{\_}perceptual{\_}sig{\_}proc}, peerreviewed = {unknown}, title = {{A} study on the preferred level of late reverberation in speech and music}, venue = {Leuven}, year = {2016} } - Uhle, C., Paulus, J., and Herre, J.
Predicting the perceived level of late reverberation using computational models of loudness
In Proc. of the 17th Int. Conference on Digital Signal Processing (DSP2011), 2011.@inproceedings{uhle_predicting_2011, address = {Corfu, Greece}, author = {Uhle, C. and Paulus, J. and Herre, J.}, booktitle = {Proc. of the 17th Int. Conference on Digital Signal Processing (DSP2011)}, title = {Predicting the perceived level of late reverberation using computational models of loudness}, year = {2011} } - Paulus, J., Uhle, C., and Herre, J.
Predicting the perceived level of late reverberation using computational models of loudness
In 130th AES Convention, 2011.@inproceedings{paulus_predicting_2011, address = {London, UK}, author = {Paulus, J. and Uhle, C. and Herre, J.}, booktitle = {130th AES Convention}, note = {Preprint 8331}, title = {Predicting the perceived level of late reverberation using computational models of loudness}, year = {2011} } - Uhle, Christian, Paulus, Jouni, and Herre, Jürgen
Predicting the perceived level of late reverberation using computational models of loudness
In 17th DSP 2011 International Conference on Digital Signal Processing, Proceedings, 2011. DOI@inproceedings{faucris.289418365, abstract = {It is well known that the perceived level of reverberation depends on both the input audio signal and the impulse response. This work aims at quantifying this observation and predicting the perceived level of late reverberation based on separate signal paths of direct and reverberant signals, as they appear in digital audio effects. A basic approach to the problem is developed and subsequently extended by considering the impact of the reverberation time on the prediction result. This leads to a linear regression model with two input variables which is able to predict the perceived level with high accuracy, as shown on experimental data derived from listening tests. Variations of this model with different degrees of sophistication and computational complexity are compared regarding their accuracy. Applications include the control of digital audio effects for automatic mixing of audio signals. © 2011 IEEE.}, author = {Uhle, Christian and Paulus, Jouni and Herre, Jürgen}, booktitle = {17th DSP 2011 International Conference on Digital Signal Processing, Proceedings}, date = {2011-07-06/2011-07-08}, doi = {10.1109/ICDSP.2011.6004990}, faupublication = {yes}, isbn = {9781457702747}, keywords = {Artificial Reverberation; Auditory Perception; Intelligent Digital Audio Effects}, note = {herre{\_}papers{\_}perceptual{\_}sig{\_}proc}, peerreviewed = {unknown}, title = {{Predicting} the perceived level of late reverberation using computational models of loudness}, venue = {GRC}, year = {2011} }
Spatial Audio Coding and 3D Audio Coding
DSP Real-Time Programming
- Eberlein, Ernst, Herre, Jürgen, and Grill, Bernhard
Options for DSP Code Generation
In Proceedings of the AES UK DSP Conference: 97–103, 1992.@inproceedings{faucris.305823011, author = {Eberlein, Ernst and Herre, Jürgen and Grill, Bernhard}, booktitle = {Proceedings of the AES UK DSP Conference}, faupublication = {yes}, note = {herre{\_}papers{\_}dsp{\_}real{\_}time{\_}programming}, pages = {97-103}, peerreviewed = {unknown}, title = {{Options} for {DSP} {Code} {Generation}}, venue = {London}, year = {1992} } - Eberlein, E., Herre, J., and Grill, B.
Options for DSP Code Generation
In Proceedings of the AES UK DSP Conference: 97–103, 1992.@inproceedings{eberlein_1992_dsp, address = {London}, author = {Eberlein, E. and Herre, J. and Grill, B.}, booktitle = {Proceedings of the AES UK DSP Conference}, pages = {97--103}, title = {Options for DSP Code Generation}, year = {1992} }
Audio Watermarking
- Kastner, Thorsten, Allamanche, E, Herre, Jürgen, Cremer, M, Grossmann, H, and Hellmuth, Oliver
MPEG-7 Scalable Robust Audio Fingerprinting
In 112th AES Convention, 2022.@inproceedings{faucris.305815933, author = {Kastner, Thorsten and Allamanche, E and Herre, Jürgen and Cremer, M and Grossmann, H and Hellmuth, Oliver}, booktitle = {112th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{MPEG}-7 {Scalable} {Robust} {Audio} {Fingerprinting}}, venue = {Munich}, volume = {Preprint 5511}, year = {2022} } - Disch, S., Herre, J., and Kammerl, J.
Audio Watermarking Using Subband Modulation Spectra
In IEEE ICASSP, 2007.@inproceedings{disch_2007_aw, address = {Honolulu}, author = {Disch, S. and Herre, J. and Kammerl, J.}, booktitle = {IEEE ICASSP}, title = {{Audio Watermarking Using Subband Modulation Spectra}}, year = {2007} } - Uhle, Christian and Herre, Jürgen
Estimation of Tempo, Microtime and Time Signature from Percussive Music
In Estimation of Tempo, Microtime and Time Signature from Percussive Music, 2003.@inproceedings{faucris.305815112, author = {Uhle, Christian and Herre, Jürgen}, booktitle = {Estimation of Tempo, Microtime and Time Signature from Percussive Music}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Estimation} of {Tempo}, {Microtime} and {Time} {Signature} from {Percussive} {Music}}, venue = {London}, year = {2003} } - Allamanche, E, Herre, Jürgen, Hellmuth, Oliver, Kastner, Thorsten, and Ertel, Christian
A Multiple Feature Model for Musical Similarity Retrieval
In International Symposium on Music Information Retrieval (ISMIR), 2003.@inproceedings{faucris.305812873, author = {Allamanche, E and Herre, Jürgen and Hellmuth, Oliver and Kastner, Thorsten and Ertel, Christian}, booktitle = {International Symposium on Music Information Retrieval (ISMIR)}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{A} {Multiple} {Feature} {Model} for {Musical} {Similarity} {Retrieval}}, venue = {Baltimore, Maryland}, year = {2003} } - Herre, Jürgen, Allamanche, E, and Ertel, Christian
How Similar Do Songs Sound? Towards Modeling Human Perception of Musical Similarity
In IEEE ASSP Workshop on Applications for Signal Processing to Audio and Acoustics, 2003.@inproceedings{faucris.305813207, author = {Herre, Jürgen and Allamanche, E and Ertel, Christian}, booktitle = {IEEE ASSP Workshop on Applications for Signal Processing to Audio and Acoustics}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{How} {Similar} {Do} {Songs} {Sound}? {Towards} {Modeling} {Human} {Perception} of {Musical} {Similarity}}, venue = {Mohonk, NY}, year = {2003} } - Hellmuth, Oliver, Allamanche, E, Cremer, M, Grossmann, H, Herre, Jürgen, and Kastner, Thorsten
Using MPEG-7 Audio Fingerprinting in Real-World Applications
In 115th AES Convention, 2003.@inproceedings{faucris.305814492, author = {Hellmuth, Oliver and Allamanche, E and Cremer, M and Grossmann, H and Herre, Jürgen and Kastner, Thorsten}, booktitle = {115th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Using} {MPEG}-7 {Audio} {Fingerprinting} in {Real}-{World} {Applications}}, venue = {New York}, volume = {Preprint 5961}, year = {2003} } - Siebenhaar, Frank, Neubauer, Christian, Bäuml, Robert, and Herre, Jürgen
New High Data Rate Audio Watermarking Based on SCS (Scaler Costa Scheme)
In 113th AES Convention, 2002.@inproceedings{faucris.305593962, abstract = {Nowadays, distribution of audio material is not limited to physical media anymore. Instead, distribution via Internet is of increasing importance. In order to attach additional information to the audio content, either for forensic or digital rights management purposes or for annotation purposes, watermarking is a promising technique since it is independent of the audio format and transmission technology. State-of-the-art spread spectrum watermarking systems can offer high robustness against unintentional and intentional signal modifications. However, their data rate is typically comparatively low, often below 100 bit/s. This paper describes the adaptation of a new watermarking scheme called Scalar Costa Scheme (SCS), which is based on dithered quantization of audio signals. In order to fulfill the demands of high quality audio signal processing, modifications of the basic SCS scheme, such as the introduction of a psychoacoustic model and new algorithms to determine quantization intervals are required. Simulation figures and results of a sample implementation, which show the potential of this new watermarking scheme, are presented in this paper along with a short theoretical introduction to the SCS watermarking scheme. - Siebenhaar, F., Neubauer, C., Bäumel, R., and Herre, J.
New High Data Rate Audio Watermarking Based on SCS (Scalar Costa Scheme)
In 113th AES Convention, 2002.@inproceedings{siebenhaar_2002_scs, address = {Los Angeles}, author = {Siebenhaar, F. and Neubauer, C. and B\"{a}umel, R. and Herre, J.}, booktitle = {113th AES Convention}, note = {Preprint 5645}, title = {{New High Data Rate Audio Watermarking Based on SCS (Scalar Costa Scheme)}}, year = {2002} } - Neubauer, C., Kulessa, R., and Herre, J.
A Compatible Family of Bitstream Watermarking Schemes for MPEG-Audio
In 113th AES Convention, 2001.@inproceedings{neubauer_2001_bws, address = {Amsterdam}, author = {Neubauer, C. and Kulessa, R. and Herre, J.}, booktitle = {113th AES Convention}, note = {Preprint 5346}, title = {{A Compatible Family of Bitstream Watermarking Schemes for MPEG-Audio}}, year = {2001} } - Siebenhaar, Frank, Neubauer, Christian, Herre, Jürgen, and Kulessa, Ralph
New Results on Combined Audio Compression/Watermarking
In 111th AES Convention, 2001.@inproceedings{faucris.305594567, abstract = {Today, music distribution over the Internet is an increasingly important business. In this context, watermarking can provide beneficial means to transmit rights information within the content. To convey the origin of such content, the combination of simultaneous low bit rate encoding and watermark embedding is a promising novel technique. This paper describes the basic concept of combined compression/watermarking for audio signals. In contrast to separate steps of encoding and watermarking the combined approach enables an optimal coordination between the quantization strategy in the audio encoder and the watermark embedding process. This allows to adjust the system to specific needs in terms of audio quality and watermark robustness. Experimental results obtained from an extended MPEG-2/4 AAC encoder and a first implementation of an extended MPEG-1/2 Layer-3 encoder confirm the potential of the concept. - Herre, Jürgen, Neubauer, Christian, and Kulessa, Ralph
A Compatible Family of Bitstream Watermarking Schemes for MPEG-Audio
In 110th AES Convention, 2001.@inproceedings{faucris.305595434, abstract = {Audio watermarking enables the robust and imperceptible transmission of data within audio signals. Among the many possible applications of this technique, a number of scenarios require direct embedding of watermarks into a compressed signal representation. Such bitstream watermarking systems enable e.g. on-the-fly embedding of transaction specific data at the time of content delivery via the Internet. This paper extends previous work on bitstream watermarking for MPEG-2/4 Advanced Audio Coding (AAC) towards a compatible family of watermarking schemes for MPEG-1/2 Layer-3 (MP3), MPEG-2/4 AAC and uncompressed audio. Regardless of the format used during data embedding, the same watermark extractor can be employed to recover the embedded message. Both the underlying concepts and relevant experimental results for these schemes are described. - Siebenhaar, Frank, Herre, Jürgen, and et al.
Combined Compression/Watermarking for Audio Signals
In 110th AES Convention, 2001.@inproceedings{faucris.305742461, author = {Siebenhaar, Frank and Herre, Jürgen and et al.}, author_hint = {Siebenhaar F, Neubauer C, Herre J}, booktitle = {110th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, support_note = {Author relations incomplete. You may find additional data in field 'author{\_}hint'}, title = {{Combined} {Compression}/{Watermarking} for {Audio} {Signals}}, venue = {Amsterdam}, volume = {Preprint 5344}, year = {2001} } - Siebenhaar, F., Neubauer, C., and Herre, J.
Combined Compression/Watermarking for Audio Signals
In 110th AES Convention, 2001.@inproceedings{siebenhaar_2001_cc, address = {Amsterdam}, author = {Siebenhaar, F. and Neubauer, C. and Herre, J.}, booktitle = {110th AES Convention}, note = {Preprint 5344}, title = {{Combined Compression/Watermarking for Audio Signals}}, year = {2001} } - Hellmuth, Oliver, Allamanche, E, Herre, Jürgen, Kastner, Thorsten, Cremer, M, and Hirsch, W
Advanced Audio Identification Using MPEG-7 Content Description
In 111th AES Convention, 2001.@inproceedings{faucris.305816683, author = {Hellmuth, Oliver and Allamanche, E and Herre, Jürgen and Kastner, Thorsten and Cremer, M and Hirsch, W}, booktitle = {111th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Advanced} {Audio} {Identification} {Using} {MPEG}-7 {Content} {Description}}, venue = {New York}, volume = {Preprint 5463}, year = {2001} } - Siebenhaar, F., Neubauer, C., Herre, J., and Kulessa, R.
New Results on Combined Audio Compression/Watermarking
In 111th AES Convention, 2001.@inproceedings{siebenhaar_2001_cac, address = {New York}, author = {Siebenhaar, F. and Neubauer, C. and Herre, J. and Kulessa, R.}, booktitle = {111th AES Convention}, note = {Preprint 5442}, title = {{New Results on Combined Audio Compression/Watermarking}}, year = {2001} } - Allamanche, E, Herre, Jürgen, Hellmuth, Oliver, Fröba, Bernhard, and Cremer, Markus
Towards Content-Based Identification of Audio Material
In AudioID: Towards Content-Based Identification of Audio Material, 2001.@inproceedings{faucris.305820334, author = {Allamanche, E and Herre, Jürgen and Hellmuth, Oliver and Fröba, Bernhard and Cremer, Markus}, booktitle = {AudioID: Towards Content-Based Identification of Audio Material}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Towards} {Content}-{Based} {Identification} of {Audio} {Material}}, venue = {Amsterdam}, volume = {Preprint 5380}, year = {2001} } - Allamanche, E, Herre, Jürgen, Hellmuth, Oliver, Fröba, Bernhard, Kastner, Thorsten, and Cremer, Markus
Content-based Identification of Audio Material Using MPEG-7 Low Level Description
In International Symposium on Music Information Retrieval (ISMIR), 2001.@inproceedings{faucris.305821191, author = {Allamanche, E and Herre, Jürgen and Hellmuth, Oliver and Fröba, Bernhard and Kastner, Thorsten and Cremer, Markus}, booktitle = {International Symposium on Music Information Retrieval (ISMIR)}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Content}-based {Identification} of {Audio} {Material} {Using} {MPEG}-7 {Low} {Level} {Description}}, venue = {Bloomington, Indiana}, year = {2001} } - Herre, Jürgen, Allamanche, E, and Hellmuth, Oliver
Robust Matching of Audio Signals Using Spectral Flatness Features
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 2001.@inproceedings{faucris.305821552, author = {Herre, Jürgen and Allamanche, E and Hellmuth, Oliver}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Robust} {Matching} of {Audio} {Signals} {Using} {Spectral} {Flatness} {Features}}, venue = {Mohonk, NY}, year = {2001} } - Neubauer, C. and Herre, J.
Audio Watermarking of MPEG-2 AAC Bit Streams
In 108th AES Convention, 2000.@inproceedings{neubauer_2000_aws, address = {Paris}, author = {Neubauer, C. and Herre, J.}, booktitle = {108th AES Convention}, note = {Preprint 5101}, title = {{Audio Watermarking of MPEG-2 AAC Bit Streams}}, year = {2000} } - Neubauer, C. and Herre, J.
Audiowasserzeichen und ihre Anwendungen
In Tonmeister-tagung, 2000.@inproceedings{neubauer_2000_awz, address = {Hannover}, author = {Neubauer, C. and Herre, J.}, booktitle = {Tonmeister-tagung}, title = {{Audiowasserzeichen und ihre Anwendungen}}, year = {2000} } - Neubauer, Christian and Herre, Jürgen
Audio Watermarking of MPEG-2 AAC Bit Streams
In 108th AES Convention, 2000.@inproceedings{faucris.305745639, author = {Neubauer, Christian and Herre, Jürgen}, booktitle = {108th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Audio} {Watermarking} of {MPEG}-2 {AAC} {Bit} {Streams}}, venue = {Paris}, volume = {Preprint 5101}, year = {2000} } - Neubauer, Christian and Herre, Jürgen
Advanced Watermarking and its Applications
In 109th AES Convention, 2000.@inproceedings{faucris.305745110, author = {Neubauer, Christian and Herre, Jürgen}, booktitle = {109th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Advanced} {Watermarking} and its {Applications}}, venue = {Los Angeles}, volume = {Preprint 5176}, year = {2000} } - Neubauer, Christian and Herre, Jürgen
Audiowasserzeichen und ihre Anwendungen
In Tonmeistertagung, 2000.@inproceedings{faucris.305743747, author = {Neubauer, Christian and Herre, Jürgen}, booktitle = {Tonmeistertagung}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Audiowasserzeichen} und ihre {Anwendungen}}, venue = {Hannover}, year = {2000} } - Neubauer, C. and Herre, J.
Advanced Watermarking and its Applications
In 109th AES Convention, 2000.@inproceedings{neubauer_2000_awa, address = {LosAngeles}, author = {Neubauer, C. and Herre, J.}, booktitle = {109th AES Convention}, note = {Preprint 5176}, title = {{Advanced Watermarking and its Applications}}, year = {2000} } - Neubauer, C. and Herre, J.
Auswirkungen digitaler Wasserzeichen auf die Audioqualität
In Tonmeistertagung, 1998.@inproceedings{neubauer_1998_dwz, address = {Karlsruhe}, author = {Neubauer, C. and Herre, J.}, booktitle = {Tonmeistertagung}, title = {{Auswirkungen digitaler Wasserzeichen auf die Audioqualität}}, year = {1998} } - Neubauer, Christian, Herre, Jürgen, and Brandenburg, Karlheinz
Continuous Steganographic Data Transmission Using Uncompressed Audio
In Proceedings of the Second International Information Hiding Workshop, 1998.@inproceedings{faucris.305747349, author = {Neubauer, Christian and Herre, Jürgen and Brandenburg, Karlheinz}, booktitle = {Proceedings of the Second International Information Hiding Workshop}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Continuous} {Steganographic} {Data} {Transmission} {Using} {Uncompressed} {Audio}}, venue = {Portland, Oregon}, year = {1998} } - Herre, Jürgen and Neubauer, Christian
Digital Watermarking and Its Influence on Audio Quality
In 105th AES Convention, 1998.@inproceedings{faucris.305746988, author = {Herre, Jürgen and Neubauer, Christian}, booktitle = {105th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Digital} {Watermarking} and {Its} {Influence} on {Audio} {Quality}}, venue = {San Francisco 1998}, volume = {Preprint 4823}, year = {1998} } - Neubauer, Christian and Herre, Jürgen
Auswirkungen digitaler Wasserzeichen auf die Audioqualität
In Tonmeistertagung, 1998.@inproceedings{faucris.305746572, author = {Neubauer, Christian and Herre, Jürgen}, booktitle = {Tonmeistertagung}, faupublication = {no}, note = {herre{\_}papers{\_}audio{\_}watermarking}, peerreviewed = {unknown}, title = {{Auswirkungen} digitaler {Wasserzeichen} auf die {Audioqualität}}, venue = {Karlsruhe}, year = {1998} } - Neubauer, C., Herre, J., and Brandenburg, K.
Continuous Steganographic Data Transmission Using Uncompressed Audio
In Proceedings of the Second International Information Hiding Workshop, 1998.@inproceedings{neubauer_1998_csdt, address = {Portland, Oregon}, author = {Neubauer, C. and Herre, J. and Brandenburg, K.}, booktitle = {Proceedings of the Second International Information Hiding Workshop}, month = {April}, title = {{Continuous Steganographic Data Transmission Using Uncompressed Audio}}, year = {1998} } - Neubauer, C. and Herre, J.
Digital Watermarking and Its Influence on Audio Quality
In 105th AES Convention, 1998.@inproceedings{neubauer_1998_dwm, address = {San Francisco}, author = {Neubauer, C. and Herre, J.}, booktitle = {105th AES Convention}, note = {Preprint 4823}, title = {{Digital Watermarking and Its Influence on Audio Quality}}, year = {1998} }
Filterbanks
- Schnell, M., Geiger, R., Schmidt, M., Multrus, M.and Mellar, M., Herre, J., and Schuller, G.
Low Delay Filterbanks For Enhanced Low Delay Audio Coding
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 2007.@inproceedings{schnell_2007_ldf, address = {Mohonk, NY}, author = {Schnell, M. and Geiger, R. and Schmidt, M. and Multrus, M.and Mellar, M. and Herre, J. and Schuller, G.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {Low Delay Filterbanks For Enhanced Low Delay Audio Coding}, year = {2007} } - Schnell, Markus, Geiger, Ralf, Schmidt, Markus, Multrus, Markus, Mellar, Michael, Herre, Jürgen, and Schuller, Gerald
Low Delay Filterbanks For Enhanced Low Delay Audio Coding
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 2007.@inproceedings{faucris.305749152, author = {Schnell, Markus and Geiger, Ralf and Schmidt, Markus and Multrus, Markus and Mellar, Michael and Herre, Jürgen and Schuller, Gerald}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, faupublication = {no}, note = {herre{\_}papers{\_}filterbanks}, peerreviewed = {unknown}, title = {{Low} {Delay} {Filterbanks} {For} {Enhanced} {Low} {Delay} {Audio} {Coding}}, venue = {Mohonk, New York}, year = {2007} } - Geiger, R., Yokotani, Y., Schuller, G., and Herre, J.
Improved Integer Transforms Using Multi-Dimensional Lifting
In IEEE ICASSP, 2004.@inproceedings{geiger_2004_iit, address = {Montreal}, author = {Geiger, R. and Yokotani, Y. and Schuller, G. and Herre, J.}, booktitle = {IEEE ICASSP}, title = {Improved Integer Transforms Using Multi-Dimensional Lifting}, year = {2004} } - Geiger, Ralf, Yokotani, Yoshikazu, Schuller, Gerald, and Herre, Jürgen
Improved Integer Transforms Using Multi-Dimensional Lifting
In IEEE ICASSP, 2004.@inproceedings{faucris.305750563, author = {Geiger, Ralf and Yokotani, Yoshikazu and Schuller, Gerald and Herre, Jürgen}, booktitle = {IEEE ICASSP}, faupublication = {no}, note = {herre{\_}papers{\_}filterbanks}, peerreviewed = {unknown}, title = {{Improved} {Integer} {Transforms} {Using} {Multi}-{Dimensional} {Lifting}}, venue = {Montreal}, year = {2004} } - Herre, J. and Johnston, J.
A Continuously Signal-Adaptive Filterbank for High-Quality Perceptual Audio Coding
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 1997.@inproceedings{herre_1997_csf, address = {Mohonk, NY}, author = {Herre, J. and Johnston, J.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {A Continuously Signal-Adaptive Filterbank for High-Quality Perceptual Audio Coding}, year = {1997} } - Herre, Jürgen and Johnston, J D
A Continuously Signal-Adaptive Filterbank for High-Quality Perceptual Audio Coding
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 1997.@inproceedings{faucris.305751769, author = {Herre, Jürgen and Johnston, J D}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, faupublication = {no}, note = {herre{\_}papers{\_}filterbanks}, peerreviewed = {unknown}, title = {{A} {Continuously} {Signal}-{Adaptive} {Filterbank} for {High}-{Quality} {Perceptual} {Audio} {Coding}}, venue = {Mohonk}, year = {1997} }
Error Concealment
- Herre, J. and Eberlein, E.
Evaluation of Concealment Techniques for Compressed Digital Audio
In 94th AES Convention, 1993.@inproceedings{herre_1993_ect, address = {Berlin}, author = {Herre, J. and Eberlein, E.}, booktitle = {94th AES Convention}, note = {Preprint 3460}, title = {Evaluation of Concealment Techniques for Compressed Digital Audio}, year = {1993} } - Herre, Jürgen and Eberlein, Ernst
Evaluation of Concealment Techniques for Compressed Digital Audio
In 94th AES Convention, 1993.@inproceedings{faucris.305752187, author = {Herre, Jürgen and Eberlein, Ernst}, booktitle = {94th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}error{\_}concealment}, peerreviewed = {unknown}, title = {{Evaluation} of {Concealment} {Techniques} for {Compressed} {Digital} {Audio}}, venue = {Berlin}, volume = {Preprint 3460}, year = {1993} } - Herre, Jürgen and Eberlein, Ernst
Error Concealment in the Spectral Domain
In 93rd AES Convention, 1992.@inproceedings{faucris.305753063, author = {Herre, Jürgen and Eberlein, Ernst}, booktitle = {93rd AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}error{\_}concealment}, peerreviewed = {unknown}, title = {{Error} {Concealment} in the {Spectral} {Domain}}, venue = {San Fransisco}, volume = {Preprint 3364}, year = {1992} } - Herre, J. and Eberlein, E.
Error Concealment in the Spectral Domain
In 93rd AES Convention, 1992.@inproceedings{herre_1992_ect, address = {San Francicso}, author = {Herre, J. and Eberlein, E.}, booktitle = {93rd AES Convention}, note = {Preprint 3364}, title = {Error Concealment in the Spectral Domain}, year = {1992} }
Secure Delivery of Multimedia Data
- Spenger, G., Rump, N., and Herre, J.
MPEG-21 -What does it bring to Audio?
In 111th AES Convention, 2001.@inproceedings{spenger_2001_mpeg, address = {New York}, author = {Spenger, G. and Rump, N. and Herre, J.}, booktitle = {111th AES Convention}, note = {Preprint 5462}, title = {MPEG-21 -What does it bring to Audio?}, year = {2001} } - Spenger, G., Rump, N., Herre, J., and Brandenburg, K.
MPEG-21: A Multimedia Framework for E-commerce - what does it bring to Audio?
In 46. Internationales Ilmenauer Kolloquium, 2001.@inproceedings{spenger_2001_mf, address = {Ilmenau, Germany}, author = {Spenger, G. and Rump, N. and Herre, J. and Brandenburg, K.}, booktitle = {46. Internationales Ilmenauer Kolloquium}, month = {oct}, title = {MPEG-21: A Multimedia Framework for E-commerce - what does it bring to Audio?}, year = {2001} } - Spenger, Gabriele, Rumpp, Niels, Herre, Jürgen, and Brandenburg, Karlheinz
MPEG-21: A Multimedia Framework for E-commerce - what does it bring to Audio?
In 46. Internationales Ilmenauer Kolloquium, 2001.@inproceedings{faucris.305754456, author = {Spenger, Gabriele and Rumpp, Niels and Herre, Jürgen and Brandenburg, Karlheinz}, booktitle = {46. Internationales Ilmenauer Kolloquium}, faupublication = {no}, note = {herre{\_}papers{\_}secure{\_}delivery{\_}of{\_}multimedia{\_}data}, peerreviewed = {unknown}, title = {{MPEG}-21: {A} {Multimedia} {Framework} for {E}-commerce - what does it bring to {Audio}?}, venue = {Ilmenau}, year = {2001} } - Spenger, Gabriele, Herre, Jürgen, Neubauer, Christian, and Rumpp, Niels
MPEG-21 - What does it bring to Audio?
In 111th AES Convention, 2001.@inproceedings{faucris.305753826, author = {Spenger, Gabriele and Herre, Jürgen and Neubauer, Christian and Rumpp, Niels}, booktitle = {111th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}secure{\_}delivery{\_}of{\_}multimedia{\_}data}, peerreviewed = {unknown}, title = {{MPEG}-21 - {What} does it bring to {Audio}?}, venue = {New York}, volume = {Preprint 5462}, year = {2001} } - Allamanche, E and Herre, Jürgen
Secure Delivery of Compressed Audio by Compatible Bitstream Scrambling
In 108th AES Convention, 2000.@inproceedings{faucris.305754962, author = {Allamanche, E and Herre, Jürgen}, booktitle = {108th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}secure{\_}delivery{\_}of{\_}multimedia{\_}data}, peerreviewed = {unknown}, title = {{Secure} {Delivery} of {Compressed} {Audio} by {Compatible} {Bitstream} {Scrambling}}, venue = {Paris}, volume = {Preprint 5100}, year = {2000} } - Allamanche, E. and Herre, J.
Secure Delivery of Compressed Audio by Compatible Bitstream Scrambling
In 108th AES Convention, 2000.@inproceedings{allamanche_2000_sdca, address = {Paris}, author = {Allamanche, E. and Herre, J.}, booktitle = {108th AES Convention}, note = {Preprint 5100}, title = {Secure Delivery of Compressed Audio by Compatible Bitstream Scrambling}, year = {2000} } - Rump, N., Herre, J., Brandenburg, K., and Koller, J.
Legal Distribution of Music through the Internet
In 106th AES Convention, 1999.@inproceedings{rump_1999_ldm, address = {Munich}, author = {Rump, N. and Herre, J. and Brandenburg, K. and Koller, J.}, booktitle = {106th AES Convention}, note = {Preprint 4988}, title = {Legal Distribution of Music through the Internet}, year = {1999} } - Herre, J. and Allamanche, E.
Compatible Scrambling of Compressed Audio
In IEEE ASPAA Workshop on Applications of Signal Processing to Audio and Acoustics, 1999.@inproceedings{herre_1999_ss, address = {Mohonk, NY}, author = {Herre, J. and Allamanche, E.}, booktitle = {IEEE ASPAA Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {Compatible Scrambling of Compressed Audio}, year = {1999} } - Rumpp, Niels, Herre, Jürgen, Brandenburg, Karlheinz, and Koller, Jürgen
Legal Distribution of Music through the Internet
In 106th AES Convention, 1999.@inproceedings{faucris.305755785, author = {Rumpp, Niels and Herre, Jürgen and Brandenburg, Karlheinz and Koller, Jürgen}, booktitle = {106th AES Convention}, faupublication = {no}, note = {herre{\_}papers{\_}secure{\_}delivery{\_}of{\_}multimedia{\_}data}, peerreviewed = {unknown}, title = {{Legal} {Distribution} of {Music} through the {Internet}}, venue = {Munich}, volume = {Preprint 4988}, year = {1999} }
Content-based Technqiues
- Uhle, C., Walther, A., Hellmuth, O., and Herre, J.
Ambience Separation from Mono Recordings using Non-negative Matrix Factorization
In AES 30th International Conference, 2007.@inproceedings{uhle_2007_nmf, address = {Saariskel\"{a}, Finland}, author = {Uhle, C. and Walther, A. and Hellmuth, O. and Herre, J.}, booktitle = {AES 30th International Conference}, title = {Ambience Separation from Mono Recordings using Non-negative Matrix Factorization}, year = {2007} } - Uhle, Christian, Walther, Andreas, Hellmuth, Oliver, and Herre, Jürgen
Ambience Separation from Mono Recordings using Non-negative Matrix Factorization
In AES 30th International Conference, 2007.@inproceedings{faucris.305807763, author = {Uhle, Christian and Walther, Andreas and Hellmuth, Oliver and Herre, Jürgen}, booktitle = {AES 30th International Conference}, faupublication = {no}, note = {herre{\_}papers{\_}content{\_}based{\_}techniques}, peerreviewed = {unknown}, title = {{Ambience} {Separation} from {Mono} {Recordings} using {Non}-negative {Matrix} {Factorization}}, venue = {Saariskelä}, year = {2007} } - Uhle, C., Rohden, J, Cremer, M., and Herre, J.
Low Complexity Musical Meter Estimation from Polyphonic Music
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{uhle_2004_lce, address = {London}, author = {Uhle, C. and Rohden, J and Cremer, M. and Herre, J.}, booktitle = {25th International AES Conference on "Metadata for Audio"}, month = {June}, title = {Low Complexity Musical Meter Estimation from Polyphonic Music}, year = {2004} } - Kastner, T., Herre, J., Allamanche, E., Hellmuth, O., Ertel, C., and Schalek, M.
Automatic Optimization of a Musical Similarity Metric Using Similarity Pairs
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{kastner_2004_aom, address = {London}, author = {Kastner, T. and Herre, J. and Allamanche, E. and Hellmuth, O. and Ertel, C. and Schalek, M.}, booktitle = {25th International AES Conference on "Metadata for Audio"}, month = {June}, title = {Automatic Optimization of a Musical Similarity Metric Using Similarity Pairs}, year = {2004} } - Hellmuth, O., Allamanche, E., Herre, J., Kastner, T., Wistorf, R., and Lefebvre, N.
Music Genre Estimation from Low Level Audio Features
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{hellmuth_2004_nmf, address = {London}, author = {Hellmuth, O. and Allamanche, E. and Herre, J. and Kastner, T. and Wistorf, R. and Lefebvre, N.}, booktitle = {25th International AES Conference on "Metadata for Audio"}, month = {June}, title = {Music Genre Estimation from Low Level Audio Features}, year = {2004} } - Uhle, Christian, Rohden, J, Cremer, M, and Herre, Jürgen
Low Complexity Musical Meter Estimation from Polyphonic Music
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{faucris.305812047, author = {Uhle, Christian and Rohden, J and Cremer, M and Herre, Jürgen}, booktitle = {25th International AES Conference on "Metadata for Audio"}, faupublication = {no}, note = {herre{\_}papers{\_}content{\_}based{\_}techniques}, peerreviewed = {unknown}, title = {{Low} {Complexity} {Musical} {Meter} {Estimation} from {Polyphonic} {Music}}, venue = {London}, year = {2004} } - Kastner, Thorsten, Herre, Jürgen, Allamanche, E, Hellmuth, Oliver, Ertel, Christian, and Schalek, Marion
Automatic Optimization of a Musical Similarity Metric Using Similarity Pairs
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{faucris.305810827, author = {Kastner, Thorsten and Herre, Jürgen and Allamanche, E and Hellmuth, Oliver and Ertel, Christian and Schalek, Marion}, booktitle = {25th International AES Conference on "Metadata for Audio"}, faupublication = {no}, note = {herre{\_}papers{\_}content{\_}based{\_}techniques}, peerreviewed = {unknown}, title = {{Automatic} {Optimization} of a {Musical} {Similarity} {Metric} {Using} {Similarity} {Pairs}}, venue = {London}, year = {2004} } - Hellmuth, Oliver, Allamanche, E, Herre, Jürgen, Kastner, Thorsten, Wistorf, R, and Lefebvre, Nicolas
Music Genre Estimation from Low Level Audio Features
In 25th International AES Conference on "Metadata for Audio", 2004.@inproceedings{faucris.305809739, author = {Hellmuth, Oliver and Allamanche, E and Herre, Jürgen and Kastner, Thorsten and Wistorf, R and Lefebvre, Nicolas}, booktitle = {25th International AES Conference on "Metadata for Audio"}, faupublication = {no}, note = {herre{\_}papers{\_}content{\_}based{\_}techniques}, peerreviewed = {unknown}, title = {{Music} {Genre} {Estimation} from {Low} {Level} {Audio} {Features}}, venue = {London}, year = {2004} } - Uhle, C. and Herre, J.
Estimation of Tempo, Microtime and Time Signature from Percussive Music
In Sixth International Conference on Digital Audio Effects (DAFX03), 2003.@inproceedings{uhle_2003_etmt, address = {London}, author = {Uhle, C. and Herre, J.}, booktitle = {Sixth International Conference on Digital Audio Effects (DAFX03)}, month = {September}, title = {Estimation of Tempo, Microtime and Time Signature from Percussive Music}, year = {2003} } - Herre, J., Allamanche, E., and Ertel, C.
How Similar Do Songs Sound? Towards Modeling Human Perception of Musical Similarity
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 2003.@inproceedings{herre_2003_mhp, address = {Mohonk, NY}, author = {Herre, J. and Allamanche, E. and Ertel, C.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {How Similar Do Songs Sound? Towards Modeling Human Perception of Musical Similarity}, year = {2003} } - Hellmuth, O., Allamanche, E., Cremer, M., Grossmann, H., Herre, J., and Kastner, T.
Using MPEG-7 Audio Fingerprinting in Real-World Applications
In 115th AES Convention, 2003.@inproceedings{hellmuth_2003_maf, address = {New York}, author = {Hellmuth, O. and Allamanche, E. and Cremer, M. and Grossmann, H. and Herre, J. and Kastner, T.}, booktitle = {115th AES Convention}, note = {Preprint 5961}, title = {Using MPEG-7 Audio Fingerprinting in Real-World Applications}, year = {2003} } - Allamanche, E., Herre, J., Hellmuth, O., Kastner, T., and Ertel, C.
A Multiple Feature Model for Musical Similarity Retrieval
In International Symposium on Music Information Retrieval (ISMIR), 2003.@inproceedings{allamanche_2003_msr, address = {Baltimore, Maryland, USA}, author = {Allamanche, E. and Herre, J. and Hellmuth, O. and Kastner, T. and Ertel, C.}, booktitle = {International Symposium on Music Information Retrieval (ISMIR)}, month = {October}, title = {A Multiple Feature Model for Musical Similarity Retrieval}, year = {2003} } - Herre, J., Allamanche, E., and Hellmuth, O.
Robust Matching of Audio Signals Using Spectral Flatness Features
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 2001.@inproceedings{herre_2001_sff, address = {Mohonk, NY}, author = {Herre, J. and Allamanche, E. and Hellmuth, O.}, booktitle = {IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics}, title = {Robust Matching of Audio Signals Using Spectral Flatness Features}, year = {2001} } - Hellmuth, O., Allamanche, E., Herre, J., Kastner, T., Cremer, M., and Hirsch, W.
Advanced Audio Identification Using MPEG-7 Content Description
In 111th AES Convention, 2001.@inproceedings{hellmuth_2001_aai, address = {New York}, author = {Hellmuth, O. and Allamanche, E. and Herre, J. and Kastner, T. and Cremer, M. and Hirsch, W.}, booktitle = {111th AES Convention}, note = {Preprint 5463}, title = {Advanced Audio Identification Using MPEG-7 Content Description}, year = {2001} } - Allamanche, E., Herre, J., Hellmuth, O., Fröba, B., Kastner, T., and Cremer, M.
Content-based Identification of Audio Material Using MPEG-7 Low Level Description
In International Symposium on Music Information Retrieval (ISMIR), 2001.@inproceedings{allamanche_2001_cbi, address = {Bloomington, Indiana, USA}, author = {Allamanche, E. and Herre, J. and Hellmuth, O. and Fr\"{o}ba, B. and Kastner, T. and Cremer, M.}, booktitle = {International Symposium on Music Information Retrieval (ISMIR)}, month = {October}, title = {Content-based Identification of Audio Material Using MPEG-7 Low Level Description}, year = {2001} } - Allamanche, E., Herre, J., Hellmuth, O., Fröba, B., and Cremer, M.
AudioID: Towards Content-Based Identification of Audio Material
{journal}110th AES Convention, 2001author = {Kastner, T. and Allamanche, E. and Herre, J. and Cremer, M. and Grossmann, H. and Hellmuth, O.}, title = {MPEG-7 Scalable Robust Audio Fingerprinting}, booktitle = {112th AES Convention} year = {2002}, address = {Munich}, note = {Preprint 5511} }} author = {Allamanche, E. and Herre, J. and Hellmuth, O. and Fr\"{o}ba, B. and Cremer, M.}, title = {AudioID: Towards Content-Based Identification of Audio Material}, booktitle = {110th AES Convention} year = {2001}, address = {Amsterdam}, note = {Preprint 5380} }}
Doctoral Dissertation
- Herre, Jürgen
Fehlerverschleierung von spektral codierten Audiosignalen
PhD Thesis, Friedrich-Alexander-Universität Erlangen-Nürnberg, 1995.@phdthesis{faucris.305590297, author = {Herre, Jürgen}, faupublication = {yes}, note = {herre{\_}dissertation}, peerreviewed = {automatic}, school = {Friedrich-Alexander-Universität Erlangen-Nürnberg}, title = {{Fehlerverschleierung} von spektral codierten {Audiosignalen}}, year = {1995} }
Invited Presentations etc.
J. Herre: "The MP3 Story: Perceptual Audio Coding from its Beginnings to the Present", Evening Lecture at 26th IEEE International System-On-Chip Conference (SOCC), Erlangen, Germany, September 2013
J. Herre: "MPEG Audio - A Technology Motor for Broadcast Audio Delivery", Keynote Talk at 1st Anniversary Event of the BBC Research Partnership, Manchester, UK, September 2012
J. Herre: "Recent advances in perceptual coding of spatial audio signals - what could it mean for visual?", Plenary Lecture at the Picture Coding Symposium (PCS) 2012, Krakow, Poland, May 2012
J. Herre: "Parametrische Codierung von Audioobjekten: Der ISO/MPEG SAOC-Standard", 15. Jahrestagung der Deutschen Gesellschaft für Audiologie, Strukturierte Sitzung “Audiocodierung jenseits von mp3”, Erlangen, Germany, March 2012
J. Herre: "mp3 & more: Audiocodierung gestern, heute und morgen", Student’s Day Lecture at the Embedded World Exhibition & Congress 2012, Nürnberg, Germany, March 2012
J. Herre, L. Terentiv: "Parametric Coding of Audio Objects: Technology, Performance and Opportunities", 42th International AES Conference on Semantic Audio, Ilmenau, Germany, July 2011
J. Herre: "Efficient Representation of Sound Images: Recent Developments in Parametric Coding of Spatial Audio", Keynote at the Picture Coding Symposium (PCS) 2007, Lisboa, Portugal, November 2007
J. Herre: "Personal Audio: From Simple Sound Reproduction To Personalized Interactive Rendering", Keynote at Audio Mostly Conference 2007, Ilmenau, Germany, September 2007.
J. Herre, S. Disch: "New Concepts in Parametric Coding of Spatial Audio: From SAC to SAOC", International Conference on Multimedia and Expo (ICME) 2007, Beijing, China, Juli 2007.
J. Herre, S. Disch, J. Hilpert, O. Hellmuth: "From SAC To SAOC - Recent Developments in Parametric Coding of Spatial Audio", 22nd Regional UK AES Conference, Cambridge, UK, April 2007.
J. Herre: "Audio coding - the future has just begun!", SPS-DARTS 2006, Antwerp, Belgium, March 2006
R. Geiger, M. Schmidt, J. Herre, R. Yu: "MPEG-4 SLS – Lossless and Near-Lossless Audio Coding Based on MPEG-4 AAC", Second International Symposium on Communications, Control and Signal Processing, Marrakech, Marocco, March 2006
J. Herre: "MPEG-7 – Standardized Tools for music information retrieval", 150th Meeting of the Acoustical Society of America, Minneapolis, October 2005
S. Disch, J. Herre: "'Spatial Audio Coding' - Status and Recent Advances in Parametric Multi-channel Audio Coding", DAGA, Munich 2005
J. Herre: "From Traditional Joint Stereo to Spatial Audio Coding - Recent Progress in Source Coding of Multi-Channel Audio", Guest Lecture at University of Åarhus, Åarhus, Denmark, February 2005.
J. Herre: "Von der traditionellen Stereocodierung zum "Spatial Audio Coding", Vortrag im Rahmen des Elektrotechnischen Kolloquiums des IEEI der Universität Erlangen-Nürnberg, Erlangen, Germany, Dezember 2004
J. Herre: "From Joint Stereo to Spatial Audio Coding - Recent Progress and Standardization", Sixth International Conference on Digital Audio Effects (DAFX04), Naples, Italy, October 2004
J. Herre: "MIR, Metadata & Standardization", Panel Session "MIR in Devices – Challenges and Opportunities", International Symposium on Music Information Retrieval (ISMIR), Baltimore, Maryland, USA, October 2003
J. Herre: "MPEG-7 Audio: Tools for Semantic Audio Description and Processing", Keynote at the Sixth International Conference on Digital Audio Effects (DAFX03), London, September 2003
J. Herre, C. Neubauer: "'Fingerprints' und 'Signaturen' - neue Ansätze zur Inhaltserkennung ", Tonmeistertagung, Hannover November 2002
J. Herre: "Metadata: Managing Multimedia Content Efficiently", IEEE International Symposium on Consumer Electronics 2002 (ISCE02), Erfurt, September 2002
B. Grill, J. Herre, H. Popp: "MPEG-4 Advanced Audio Coding", International Broadcasting Convention (IBC2002), Amsterdam, September 2002
J. Herre: "Audio Coding – An All-Round Entertainment Technology ", Keynote at the 22th International AES Conference on Virtual, Synthetic and Entertainment Audio, Espoo, Finland, June 2002
J. Herre, E. Allamanche, O. Hellmuth, T. Kastner: "Robust Identification/Fingerprinting of Audio Signals Using Spectral Flatness Features", 143rd Meeting of the Acoustical Society of America, Pittsburgh (PA), June 2002
J. Herre: "MPEG-7 Audio - Looking into the audio content", AES Metadata Symposium at the 112th AES Convention, Munich, May 2002
J. Herre: "MPEG-7 Audio - Looking into the content", 3rd MPEG-7 Awareness Event, Fairfax, VA, May 2002
J. Herre: "Scalable Audio Fingerprinting Technology based on MPEG-7 Audio",
J. Herre: "Audio Compression Schemes in Digital Television Broadcasting – An Overview", Procedings of the Interregional ITU-D Seminar on the Transition from SECAM to Digital Broadcasting, Kiev, Ukraine, 13-15 November 2000
S. Geyersberger, J. Herre: "Audio Compression Schemes in Digital Television Broadcasting – An Overview", Procedings of the Interregional ITU-D Seminar on the Transition to Digital Broadcasting, Nairobi, Kenya, 5-7 November 2001
J. Herre, B. Grill: "MPEG-4 Audio - Overview and Perspectives for the Broadcasters", International Broadcasting Convention (IBC2000), Amsterdam, September 2000
J. Herre, B. Grill: "Overview of MPEG-4 Audio and its Application in Mobile Communications", 16th World Computer Congress / IEEE International Conference on Signal Processing (ICSP), Beijing, August 2000
J. Herre: "Audio Watermarking in the Bitstream Domain", 25th Anniversary Workshop of the Signal Processing Lab, Technion University, Haifa, June 2000
K. Brandenburg, B. Grill, J. Herre, R. Väänänen: Short Course "MPEG-4 Audio", IEEE International Symposium on Circuits and Systems (ISCAS), Geneva, 28 May 2000
J. Herre: "Watermarking und Scrambling codierter Audiosignale - neue Techniken bei der Verteilung multimedialer Daten", Vortrag im Rahmen der Veranstaltungsreihe "Media-Event", TU Ilmenau, April 2000
J. Herre: "MP3 und MPEG Audio: Wie funktioniert moderne Datenkompression ?", Vortrag vor den Siegern des Bundesjugendwettbewerbs Informatik, Bad Liebenzell, Februar 2000
J. Herre, J. D. Johnston: "Exploiting Both Time and Frequency Structure in a System that Uses an Analysis/Synthesis Filterbank with High Frequency Resolution", 103rd AES Convention, New York 1997, Preprint 4519
J. Herre: "The NMR Measurement Technique", Workshop "Perceptual Encoding: Subjective and Objective Methods of Evaluation", 95th AES Convention, New York 1993
J. Herre, S. Quackenbush: "MPEG and PAC Audio Coders", IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, 1997
K. Brandenburg, E. Eberlein, J. Herre, B. Edler: "Comparison of Filterbanks for High Quality Audio Coding", IEEE ISCAS, San Diego, 1992
Invited Conference Workshops and Tutorials
J. Herre, B. Edler, S. Disch: "Tutorial on Perceptual Audio Coding", 17th International Conference on Digital Audio Effects DAFx-14, Erlangen, September 2014
J. Herre: "More Applications With Audio Objects", Workshop "MPEG SAOC: Interactive Audio and Broadcasting, Music 2.0, Next Generation Telecommunication", 126th AES Convention, Munich, May 2009
J. Herre: "MPEG Spatial Audio Object Coding (SAOC)", Workshop "Upcoming MPEG Standard for Efficient Parametric Coding and Rendering of Audio Objects", 125th AES Convention, San Francisco, October 2008
J. Herre: "From Traditional Stereo Coding to 'MPEG Surround' - Recent Progress in Spatially Parametric Source Coding of Multi-channel Audio", Usability Kolloquium, Deutsche Telekom Laboratories, Berlin, Germany, January 2007
J. Herre: "MPEG Surround - Surround Sound by Next-generation Multichannel Audio Coding", Workshop on Advanced Multimedia Standards, Zhejiang University, Hangzhou, China, October 2006
J. Herre: "Downmix in MPEG Surround", Workshop "Downmix in Practise", 119th AES Convention, New York, October 2005
J. Herre: "Downmix in MPEG Spatial Audio Coding", Workshop "Downmix in Practise", 118th AES Convention, Barcelona, May 2005
J. Herre: "Spatial Audio Coding: Recent Standardization Activities", Roundtable "Neue Tendenzen bei der Codierung von 5.1 Mehrkanalton – wird Mehrkanalton beim terrestrischen Rundfunk zur Realität? (New paths in multi-channel audio coding)", Tonmeistertagung 2004, Leipzig, Germany, November 2004
J. Herre: "Spatial Audio Coding: Efficient & Compatible Parametric Multi-Channel Audio Coding", Workshop "Spatial Coding of Surround Sound – A Progress Report", 117th AES Convention, San Francisco, October 2004
J. Herre, E. Allamanche: "Using MPEG-7 Audio Low Level Scalability: A Guided Tour", Tutorial MPEG-7 Workshop, 25th International AES Conference "Metadata for Audio", London, June 2004
G. Schuller, J. Herre: "Audio Coding: Recent advances and Standards ", Tutorial, IEEE ICASSP, Montreal, May 2004
K. Brandenburg, J. Herre: "All about Audio Data Reduction", Tutorial Seminar, 117th AES Convention, Berlin, May 2004
O. Hellmuth, J. Herre: "AudioID: MPEG-7 Audio Fingerprinting und Anwendungen", Workshop "MPEG-7 Verfahren und Anwendungen, Deutscher Expertenworkshop zum Metadatenstandard MPEG-7", Schloss Birlinghofen, Bonn, Dezember 2003
J. Herre: "Semantic Audio Analysis & Metadata Standards", Workshop "Audio gets smart – the what and why of semantic audio analysis", 115th AES Convention, New York, October 2003
J. Herre, O. Hellmuth, M. Cremer: "Scalable Robust Audio Fingerprinting Using MPEG-7 Content Description", IEEE MMSP Workshop on Multimedia Signal Processing, St. Thomas, USA 2002
J. Herre: "Audio Coding – Progress and Standardization within the Recent Decade", Workshop on Model Based Processing and Coding of Audio, MPCA-2002, IEEE Benelux Signal Processing Chapter, Arenberg Castle, Leuven, Belgium, November 2002
J. Herre: "The Inverse Decoder", Workshop "Perceptual Issues Related to Cascaded Audio Codecs", 113th AES Convention, Los Angeles, October 2002
J. Herre: "Scalable Fingerprinting Technology", CAST –Forum Workshop on Digital Watermarking and Digital Rights Management, Darmstadt, September 2002
J. Herre, B. Grill, G Zoia: Tutorial "MPEG-4 Audio Basics and Extensions", MPEG-4 Industry Forum: Workshop and Exhibition on MPEG-4, San Jose, 26 June 2002
J. Herre: "Loss of Stereo Image, BML, Tandem Coding", Workshop "Listening to Perceptual Audio Coders ", 112th AES Convention, Munich, May 2002
J. Herre: "The Inverse Decoder", Workshop "Perceptual Issues Related to Cascaded Audio Codecs", 112th AES Convention, Munich, May 2002 Workshop "Watermarks and Fingerprints - Horses For Courses", 111th AES Convention, New York, December 2001
K. Brandenburg, B. Grill, J. Herre, R. Väänänen: Tutorial "MPEG-4 Audio", MPEG-4 Industry Forum: Workshop and Exhibition on MPEG-4, San Jose, 19 June 2001
J. Herre: "Robust Matching of Audio Signals", Workshop "MPEG-7 Audio - What is it about ?", 110th AES Convention, Amsterdam, May 2001
J. Herre: "The Hacker’s Perspective", Workshop "Watermarking and Audio Quality", 110th AES Convention, Amsterdam, May 2001
J. Herre: "Loss of Stereo Image", Workshop "Perceptual Audio Coders – What to Listen for", 109th AES Convention, Los Angeles, September 2000
J. Herre: "MPEG-4 Low Delay General Audio Coding", Workshop "MPEG-4 Version 2 Audio - What is it about ?", 108th AES Convention, Paris, February 2000
J. Herre: "Temporal Noise Shaping, Quantization and Coding Methods in Perceptual Audio Coding – A Tutorial Introduction", Proceedings of the 17th International AES Conference on High Quality Audio Coding, Florence, 1999
J. Herre: Tutorial "MPEG Audio Coding", Fifth Biennial Conference on Signal Processing and Communications (SPCOM 99), Indian Institute of Science, Bangalore, India, 1999
J. Herre: "MPEG-4 General Audio Coding", Workshop "The MPEG-4 Audio Standard: Overview and Applications ", 106th AES Convention, Munich 1999
J. Herre: "Psychoacoustics and Filterbank: Temporal Issues in Audio Coding", Workshop "Audio Coding", 105th AES Convention, San Francisco 1998
Other Presentations
J. Herre: "So viel Hören – und das mit nur 2 Ohren?", Vortrag im Rahmen der Veranstaltungsreihe “Faszination Technik”, Fraunhofer IIS, April 2012
J. Herre: "mp3 war erst der Beginn: Audiocodierung gestern, heute, morgen", Vortrag zum Abschied von Herrn Prof. Gerhäuser, Zentrale der Universität Erlangen-Nürnberg (Schloss), Oktober 2011
J. Herre: "Audiocodierung gestern, heute, morgen: mp3 & much more", Antrittsvorlesung, Universität Erlangen-Nürnberg, November 2010
J. Herre: "Automatischer Downmix bei 'Spatial Audio Coding' - Verfahren", Workshop “Downmix-Aspekte im Umfeld von 5.1 Mehrkanalton”, Schule für Rundfunktechnik (SRT), Nürnberg, Mai 2005
J. Herre: "Merkmalsextraktion, Metadaten, MPEG-7", Workshop "Technik im Zeitalter der zusammenwachsenden Medien", Kloster Banz, Bamberg, April 2002
J. Herre: "MPEG-2 Advanced Audio Coding (AAC): Advanced Features," Internationaler Audio & Multimedia Workshop am Fraunhofer Institut für Integrierte Schaltungen, Erlangen, Juli 1998
J. Herre: "ISO/MPEG-Audio Layer III MC: Introduction & Overview", Vortrag auf dem Seminar "MPEG-2 Layer III Multi-Channel Coding", BBC Research Department und Fraunhofer Institut für Integrierte Schaltungen, Erlangen, April 1995
J. Herre: "ISO/MPEG-Audio Layer III MC: Composite Coding, Part I+II ", Vortrag auf dem Seminar "MPEG-2 Layer III Multi-Channel Coding", BBC Research Department und Fraunhofer Institut für Integrierte Schaltungen, Erlangen, April 1995
J. Herre: "Multikanalcodierung mit MPEG-2 Audio", Vortrag auf gemeinsamen Workshop von Media Center Franken (MCF) und Fraunhofer Institut für integrierte Schaltungen, Erlangen, Oktober 1994
J. Herre: "Qualitätskontrolle beim Einsatz von datenreduzierenden Systemen: Das NMR-Meßsystem", Seminar Datenreduktion beim Institut für Rundfunktechnik (IRT), München, Oktober 1992
J. Herre: "Qualitätsbeurteilung in Echtzeit mit dem NMR-Meßsystem", Workshop zum Seminar "Bitratenreduktion", Robert-Schuhmann-Hochschule Düsseldorf, April 1992
J. Herre: "Datenreduktion mit dem ISO/MPEG-Audio Standard: Layer III", Vortrag auf dem Seminar "Datenreduktion - Konsequenzen für die Betriebstechnik", West¬deutscher Rundfunk (WDR), Köln, September 1992
J. Herre: "Qualitätskontrolle beim Einsatz von datenreduzierenden Systemen: Das NMR-Meßsystem", Vortrag auf dem Seminar "Datenreduktion - Konsequenzen für die Betriebstechnik", Westdeutscher Rundfunk (WDR), Köln, September 1992
J. Herre: "Joint Stereo Coding Techniques for Perceptual Coders", Vortrag bei der Firma Tektronix, Portland, USA, 1992
Conference Session Chairs
General Chair, 17th International Conference on Digital Audio Effects DAFx-14, Erlangen, September 2014
Session “Tutorial and Demos”, 17th International Conference on Digital Audio Effects DAFx-14, Erlangen, September 2014
Session “Perception, Part 2”, 136th AES Convention, Berlin, April 2014
Conference Co-Chair International Conference on Spatial Audio (ICSA), Erlangen, Germany, February 2014
Session “3D Multichannel”, International Conference on Spatial Audio (ICSA), Erlangen, Germany, February 2014
Session AASP-P6 “Spatial Audio and Audio Coding”, IEEE ICASSP, Kyoto, Japan, March 2012
Session AE-P4 “Audio Analysis, Synthesis and Modeling”, IEEE ICASSP, Dallas, USA, March 2010
Session “Digital Signal Processing, Part 2”, 121st AES Convention, San Francisco, October 2006
Session AE-L3 “Audio Signal Analysis, Modeling and Coding”, IEEE ICASSP, Toulouse, France, May 2006
Session “Audio Coding”, IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, 2005
Session “Low Bit Rate Audio Coding, Part 2”, 119th AES Convention, New York, October 2005
Session “Low Bit Rate Audio Coding, Part 1”, 118th AES Convention, Barcelona, May 2005
Session AE-P4 “Applications in Music”, IEEE ICASSP, Philadelphia, PA, USA, March 2005
Session AE-P3 “Broadband Coding, Perceptual Coding, and Auditory Modeling”, IEEE ICASSP, Montreal, Canada, June 2004
Session “Low Bit-Rate Audio Coding – Part 1”, 116th AES Convention, Berlin, June 2004
Session “Low Bit-Rate Audio Coding”, 115th AES Convention, New York, October 2003
Workshop “New Technological Developments in MPEG-4 Audio”, 114th AES Convention, Amsterdam, March 2003
Session “Low Bitrate Audio Coding, Part 2”, 114th AES Convention, Amsterdam, March 2003
Workshop “Recent Development in MPEG-4 Audio”, 113th AES Convention, Los Angeles, October 2002
Session “Subjective and Objective Evaluation (2)”, 22th International AES Conference on Virtual, Synthetic and Entertainment Audio, Espoo, Finland, June 2002
Session “Low Bitrate Audio Coding, Part 1”, 112th AES Convention, Munich, March 2002
Session “Internet Audio and Audio Networking, Part 2”, 111th AES Convention, New York, November 2001
Session “Compression”, IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, 2001
Workshop “MPEG-7 Audio - What is it about?”, 110th AES Convention, Amsterdam, May 2001
Workshop “MPEG-4 Version 2 Audio - What is it about?”, 108th AES Convention, Paris, February 2000
Session “Audio Coding”, 107th AES Convention, New York 1999
Session “Research Papers, Part 2”, 17th International AES Conference on High Quality Audio Coding, Florence 1999
Papers Chairman, 17th International AES Conference on High Quality Audio Coding, Florence 1999
Session “Perceptual Coding I”, 14th AES Convention, Amsterdam 1998
Workshop “Formal and De-Facto Standards in Reduced Rate Audio Coding”, 104th AES Convention, Amsterdam 1998
Session “Audio Coding”, IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, 1997